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"Fire, lights, everything!" : exploring symbolic capital in the Tecnobrega dance scene

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dc.contributor.advisor Henry Jenkins IlIl. en_US
dc.contributor.author Domb Krauskopf, Ana Elena en_US
dc.contributor.other Massachusetts Institute of Technology. Dept. of Comparative Media Studies. en_US
dc.date.accessioned 2010-10-29T18:24:45Z
dc.date.available 2010-10-29T18:24:45Z
dc.date.copyright 2009 en_US
dc.date.issued 2009 en_US
dc.identifier.uri http://hdl.handle.net/1721.1/59728
dc.description Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2009. en_US
dc.description Cataloged from PDF version of thesis. en_US
dc.description Includes bibliographical references (p. 85-88). en_US
dc.description.abstract The music industry, along with the world of media as a whole, is in a state of transition. What is being sold is not so clear anymore, nor is it obvious what parts of the traditional business will survive. Audiences play a crucial role in these shifts; they've become empowered and increased their participation within media industries. Working towards the premise that audiences can add value to media businesses beyond the act of consumption, this thesis argues that for media industries to benefit from their contributions it is first necessary to locate these audiences as active participants and producers of value. This thesis studies the dynamics of participatory audiences through the case of Brazil's Tecnobrega scene (literally 'cheesy techno'), expanding on a 10-day ethnographic field trip to the capital of Tecnobrega, Belem. This music industry has circumvented mainstream conventions by forgoing copyright and collaborating with 'pirates'. Tecnobrega's audiences not only assist in the circulation of content, but through their socializing and fan production, they create and trade symbolic capital that directly affects the popularity, and consequently the perception of value, of various parts of the industry. The competencies acquired through these types of participation have the potential to overflow into other domains; they can help shift the conceptualization of the public sphere and can, likewise, become paths for the exploration of cultural citizenship and agency within globalization processes. en_US
dc.description.statementofresponsibility by Ana Elena Domb Krauskopf. en_US
dc.format.extent 88 p. en_US
dc.language.iso eng en_US
dc.publisher Massachusetts Institute of Technology en_US
dc.rights M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. en_US
dc.rights.uri http://dspace.mit.edu/handle/1721.1/7582 en_US
dc.subject Comparative Media Studies. en_US
dc.title "Fire, lights, everything!" : exploring symbolic capital in the Tecnobrega dance scene en_US
dc.title.alternative Exploring symbolic capital in the Tecnobrega dance scene en_US
dc.type Thesis en_US
dc.description.degree S.M. en_US
dc.contributor.department Massachusetts Institute of Technology. Dept. of Comparative Media Studies. en_US
dc.identifier.oclc 670221302 en_US


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