Materializing the hole
Name
893559438-MIT.pdf
Description
Full printable version
Size
35.99 MB
Format
Adobe PDF
Checksum (MD5)
5bab75a5a8f8b18c52d76b3bb3c8999f
Author(s)
Kuo, Ryan, S.M. Massachusetts Institute of Technology
Advisor(s)
Renée Green.
Date Issued
2014
Publisher
Massachusetts Institute of Technology
Abstract
This thesis concerns the body as it faces the computer. While it is informed by theories of embodiment, it argues against a retreat to the "human" in the face of new sensations that may result from the body's willing incorporation into the computer as an avatar. At the same time, the processes of self-virtualization enabled by computation are subject to question. Extending from the author's practice as an artist working in interactive media, digital video, sound, and writing, this work posits that both human and computer compete for agency in the active construction of meaning. Rather than locate this construction in either a perceptual or an algorithmic process, the encounter with the computer is described as a vibration. This allows both human and computer to be considered as affective bodies prior to signification. The vibration between these bodies is a form of movement opened by interrupting the process of signification that occurs when the computer renders code; the user responds to the computer's output; and rendering, response, and interaction are all read discursively. Both interruption and vibration are theorized here in relation to Merleau-Ponty, Virilio, Lyotard, Goodman, Hansen, Barthes, Beckett, Cézanne, Plato, and other theorists and practitioners.
Description
Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2014.
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis.
Includes bibliographical references (pages 62-65).
Subjects
Architecture.
MIT Department
Massachusetts Institute of Technology. Department of Architecture
Terms of Use
M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.
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