The perception of illumination : the phenomenological dimensions of natural light in the making of an urban sanctuary
Name
31258664-MIT.pdf
Description
Full printable version
Size
30.16 MB
Format
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Checksum (MD5)
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Author(s)
DeBartolo, Jack, III
Advisor(s)
Stanford Anderson.
Alternative Title
Phenomenological dimensions of natural light in the making of an urban sanctuary
Date Issued
1994
Publisher
Massachusetts Institute of Technology
Abstract
This thesis addresses the experiential dimension of architecture as it relates to the dynamics of light and the universal presence of the phenomenal. The effort is to (re)imagine the environment: to behold the pageantry and reverence for the potent qualities of natural light and the orderly passage of time as dictated by the movement of the planets, stars, earth, sun and moon. The program for the design intervention addresses the fundamental need for enrichment, reflection and pause in the urban realm. To achieve this, the inhabitant must be shaken free from his comfortable and limiting perception of the world and be placed in an environment where he is free to sense the magic in a sky he normally takes for granted. This 'inhabitable light' becomes profound when it permits one to register his or her own position within the larger context of the moving universe. Architecture must be a lens for a greater perception of the environment without relying on artifice and imagery. The approach of this thesis is to sense the nature of natural light and search for new ways to impact the perception of the phenomenal through architecture, not to search for simple solutions. The humane use of natural light has a vigorous impact in the making of spaces which evoke the spirit. The associational basis for making decisions will be explored through discussion of perception, analysis of precedent and distilling of theory, within some rather distinct categories of light experience. The design application does not begin when the theory finishes, but rather works simultaneously with it, encouraging a dialogue between theory and form. The underlying motivation is to commence a (re)orientation and (re)birth of the natural environment as the critical component of the phenomenal experiential dimension of architecture. If we are to embody a sense of the eternal in our architecture, we must strive to understand the immeasurable.
Description
Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1994.
Includes bibliographical references (leaves 84-86).
Subjects
Architecture
MIT Department
Massachusetts Institute of Technology. Department of Architecture
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