Laura Dern’s Vomit, or, Kant and Derrida in Oz
Name
Brinkema_Laura Dern.pdf
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352.82 KB
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Adobe PDF
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b621f7ca69469f22bdf21671c1552f9a
Author(s)
Brinkema, Eugenie Alexandra
Date Issued
2011
Journal
Film-Philosophy
Publisher
One Humanities Press
Version
Final published version
Abstract
This article explores the role of disgust in Kant’s aesthetic philosophy, Derrida’s deconstruction of Kant’s third Critique in his article 'Economimesis,' and the figure of vomit in two films by David Lynch in order to argue for the ethical possibilities of not giving ground relative to one’s disgust—what I term an ethics of the worse than the worst.
MIT Department
Massachusetts Institute of Technology. Literature Section
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Creative Commons Attribution
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DOI of Published Version
http://www.film-philosophy.com/index.php/f-p/article/view/276