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dc.contributor.advisorGediminas Urbonas.en_US
dc.contributor.authorChen, Angel Chia Lingen_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Architecture.en_US
dc.date.accessioned2017-10-04T15:04:23Z
dc.date.available2017-10-04T15:04:23Z
dc.date.copyright2017en_US
dc.date.issued2017en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/111700
dc.descriptionThesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2017.en_US
dc.descriptionCataloged from PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (page 64).en_US
dc.description.abstractThis thesis discusses an artistic method of engaging with complex systems. The engagements take the form of inserting a certain something (an object, a task, a conversational prompt, myself) into a complex system with well-defined and elaborate technical processes serving specific and declared goals. The insertion is not meant to interrupt, disrupt, or destroy the system. The inserted thing is foreign to the system and is often understood as unproductive or absurd by it. However, the system can digest and process the thing successfully and spit it out the same way it does with what the system is meant to and does take in every day. This insertion is an act of nesting in the biological sense-making a nest from concocting foreign materials with existing materials-where the thing inserted becomes an anchor or an entry point from which a particular network of existing knowledge and relations are drawn out and revealed. Then, rigorous observations about what is revealed are made; materials produced by these encounters (between the things inserted and the systems) are collected. This gesture of insertion is an attempt at understanding a complex system without abstraction, reduction, or simplification. It is not possible to "see the whole picture" of these complex systems. However, one could, nonetheless, engage with it and allow a part (perhaps arbitrary to the system) to speak to the whole. The projects presented in this thesis engage with the complex systems of nanoscale fabrication, campus building construction, synthetic biology, and imaging technologies in the sciences. These seemingly disparate fields are united by an investigation of how emerging science and technology challenge an understanding of what a person is and how a person understands, as well as an interest in the very costly infrastructure that supports the new developments.en_US
dc.description.statementofresponsibilityby Angel Chia Ling Chen.en_US
dc.format.extent68 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleNesting complex systemsen_US
dc.typeThesisen_US
dc.description.degreeS.M. in Art, Culture and Technologyen_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc1003854363en_US


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