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dc.contributor.advisorWilliam Uricchio.en_US
dc.contributor.authorSaucier, Nathan (Nathan W.)en_US
dc.date.accessioned2018-02-08T15:58:35Z
dc.date.available2018-02-08T15:58:35Z
dc.date.issued2017en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/113459
dc.descriptionThesis: S.M., Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing, 2017.en_US
dc.descriptionThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.en_US
dc.description"September 2017." Cataloged from student-submitted PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (pages 105-109).en_US
dc.description.abstractOver the past several decades, computers have allowed for the increasingly voluminous and rapid ingest of images. These images, made for machine legibility, are called "operational images," a term coined by Harun Farocki. They are made for machines, by machines; they are not made to represent an object, but are part of an operation. Yet these operational images are only the most recent chapter in a longer history of logistical and instrumental use of images. Through the history of cartography, surveillance, and reconnaissance runs a long tale of instrumentalization, a history of calculable images primed for machine-readability. Before computers allowed for a truly "operational" image that could be harvested and interpreted independently, there were many other logistical images -- only these predecessors kept humans in the operational loop. These days, so-called deep learning allows for a new development in the operational image -- not only are humans excluded, but machines are performing inscrutable assessments; they interpret images and provide conclusions while their rationales remain opaque. These images are part of an interpretive turn. This sort of image use is difficult to demystify, confront, and confound. To contemplate effective strategies, it helps to look at the broader context of subversion of the logistical image, reaching back to early instances of artistic intervention to help inform the present and future.en_US
dc.description.statementofresponsibilityby Nathan Saucier.en_US
dc.format.extent109 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectComparative Media Studies.en_US
dc.titleOperational images and the interpretive turnen_US
dc.typeThesisen_US
dc.description.degreeS.M.en_US
dc.identifier.oclc1020252097en_US


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