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dc.contributor.advisorRania Ghosn.en_US
dc.contributor.authorPhillips, Sean, M. Arch Massachusetts Institute of Technologyen_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Architecture.en_US
dc.date.accessioned2018-05-23T15:05:19Z
dc.date.available2018-05-23T15:05:19Z
dc.date.copyright2018en_US
dc.date.issued2018en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/115626
dc.descriptionThesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2018.en_US
dc.descriptionThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.en_US
dc.descriptionCataloged from student-submitted PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (page 141).en_US
dc.description.abstractWith recent interest in carbon emissions, wood has returned as a fashionable building material. Renewable, flexible, and a carbon sink, wood is increasingly seen as a material that responds to concerns of climate change. However, an acceptance of the Anthropocene demands a re-thinking of how humans relate to natural systems, and this thesis argues that with a return to wood, architecture must also return to its source - the forest - for inspiration and sites of intervention. This thesis sites itself within Mendocino National Forest in northern California. As sites of both extraction and conservation, National Forests are messy landscapes often overlooked in favor of their more manicured cousins, National Parks. National Forests are also under threat. Political hostility towards public land, drought, and wildfire threaten northern Californian forests more than ever before. 2017 - like 2015, 2012, 2006, and 2002 - has been the worst year on record for wildfire in California. National Forest budgets are increasingly consumed by fire suppression and - fueled by a changing climate and poor management - dangerous wildfires are the new normal for California. Fire, the great destroyer, is also a valuable ecosystem actor. Forest (and Californian) futures will depend on looking beyond the crisis of fire for opportunities within the fire cycle. This project proposes 'forest futures' in three chapters, each located at a point within the northern Californian mixed-conifer fire cycle - fighting fire, after the burn, and working with fire. Mendocino National Forest, even as the least visited in California, is filled with overlapping human and non-human worlds. Each chapter proposes an architectural intervention that engages the world of a forest dweller and their forest - the Conservation Tower, Burnout Lodge, and the Yule Tree Farm.en_US
dc.description.statementofresponsibilityby Sean Phillips.en_US
dc.format.extent141 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleForest futuresen_US
dc.typeThesisen_US
dc.description.degreeM. Arch.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc1036987040en_US


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