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dc.contributor.advisorMary Anne Ocampo.en_US
dc.contributor.authorSpetrini, Evanen_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Urban Studies and Planning.en_US
dc.coverage.spatialn-us-maen_US
dc.date.accessioned2018-09-28T20:57:59Z
dc.date.available2018-09-28T20:57:59Z
dc.date.copyright2018en_US
dc.date.issued2018en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/118233
dc.descriptionThesis: M.C.P., Massachusetts Institute of Technology, Department of Urban Studies and Planning, 2018.en_US
dc.descriptionCataloged from PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (pages 90-93).en_US
dc.description.abstractArtists are often viewed as the precursor to gentrification, and it is true that artists tend to move into neglected parts of the city where rents are cheap and regulations are lax, typically in industrially zoned districts. When this happens, real estate values typically rise over time, pushing out the previous residents, and often the artists themselves. Planners have used land use regulatory tools to encourage artists to locate in certain areas for the purpose of urban revitalization but little has been said on what to do when the cycle completes itself and artists are priced out of the areas they had helped to revitalize. Somerville, Massachusetts is one of a few municipalities that has attempted to use zoning as a tool to protect and promote the development of artist workspaces in a high value real estate market. This thesis explores four major zoning techniques that the City has used to support artist spaces: relaxing use regulations, providing incentives through density bonuses, mandating a percentage of artist space in new developments, and separating uses to limit real estate competition. Through case study analysis, this thesis shows that even though artist workspaces have often existed in fringe areas of the city, the trend of physical isolation is unsustainable in growing, land-constrained cities. Moving forward, artist workspaces must adapt to serve a variety of users and fulfill both the consumption and production aspects of artist spaces. Using these findings as a baseline, this research seeks to evaluate and improve Somerville's zoning code by utilizing these four techniques in order to protect existing studios and promote the development of forward-looking artist workspaces.en_US
dc.description.statementofresponsibilityby Evan Spetrini.en_US
dc.format.extent117 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectUrban Studies and Planning.en_US
dc.titleKeeping Somerville weird by zoning for artist workspaceen_US
dc.typeThesisen_US
dc.description.degreeM.C.P.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Urban Studies and Planning
dc.identifier.oclc1053888723en_US


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