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dc.contributor.advisorHiromi Ozaki.en_US
dc.contributor.authorSimun, Miriamen_US
dc.contributor.otherProgram in Media Arts and Sciences (Massachusetts Institute of Technology)en_US
dc.date.accessioned2019-03-01T19:56:16Z
dc.date.available2019-03-01T19:56:16Z
dc.date.copyright2018en_US
dc.date.issued2018en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/120663
dc.descriptionThesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2018.en_US
dc.descriptionCataloged from PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references.en_US
dc.description.abstractTraining Transhumanism is a psycho-physical training regimen for evolving the future of the human, developed in collaboration with the choreographer luciana achugar. The regimen seeks to develop within the human new sensitivities and capacities for a world marked by everincreasing ecological and technological change, based on the model of the cephalopod. We focus on three main traits: (1) Embodied and tactile awareness and cognition; (2) The resiliency of camouflage, defined as a hyper-awareness of one's local environment and the flexibility to respond swiftly by morphing one's perceived identity; and (3) a distributed intelligence (positing that the future of the human may include more than one "body" - how to then develop our abilities to push past negotiation, collaboration and into the forming of a single intention and/or organism with one or more people). Training Transhumanism is rooted in a body of research aimed towards developing an ecological, embodied and ethical approach towards the "the future". Using the cephalopod rather than the machine as the model for the future of the human, the work embraces the capacities residing in the biological human body and the pleasures rooted in bodily labors; explores the possibilities for mythological, embodied and indigenous knowledge for the project of innovation; posits the "model species" as a role model for a kind of humanity rather than only an instrument for science; and embraces training as a technology is rooted in practice, development of internal abilities, and equity in access.en_US
dc.description.statementofresponsibilityby Miriam Simun.en_US
dc.format.extent156 pages, 58 unnumbered pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectProgram in Media Arts and Sciences ()en_US
dc.titleTraining Transhumanism : I want to become a cephalopoden_US
dc.typeThesisen_US
dc.description.degreeS.M.en_US
dc.contributor.departmentProgram in Media Arts and Sciences (Massachusetts Institute of Technology)en_US
dc.identifier.oclc1088438993en_US


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