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dc.contributor.advisorJennifer W Leung.en_US
dc.contributor.advisorJennifer W Leung.en_US
dc.contributor.authorBranchesi, Kyle(Kyle Joseph)en_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Architecture.en_US
dc.date.accessioned2020-01-23T16:57:53Z
dc.date.available2020-01-23T16:57:53Z
dc.date.copyright2019en_US
dc.date.issued2019en_US
dc.identifier.urihttps://hdl.handle.net/1721.1/123579en_US
dc.descriptionThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.en_US
dc.descriptionThesis: S.M., Massachusetts Institute of Technology, Department of Architecture, 2019en_US
dc.descriptionCataloged from PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references.en_US
dc.description.abstractArchitecture has historically been situated within the world of mixed reality. Brunelleschi's Baptistery in Florence introduced illusory space inserting depth into a two-dimensional plane in the fifteenth century. Centuries later, the Bauhaus challenged the hegemony of perspectival space in favor of axonometric projection, subverting the perceived experience of architecture for its formal attributes. Today our perception of the world is mediated by social media, photo manipulation software, and screen resolution. These technologies conspire not for a fidelity to reality but to promote social and political agendas-truth is not truth. Conversely, rapid improvements in camera technology attempts an objective unification of what qualifies as "clear" and "crisp" photography to document the world while counter-cultural technologies, including hallucinogenic drugs, seek clarification of a different kind. Sightfulness is a guided trip through media phase changes. It fluidly moves between photo realistic representations of common elements in space to impossible infinite multiplications, inversions, distortions and moments of pure abstraction. It leverages advances in computational software that allow a blurring between the virtual and the real. It disorients the viewer through unpredictable transitions, destabilizing their conception of the world that they are inhabiting.en_US
dc.description.statementofresponsibilityby Kyle Branchesi.en_US
dc.format.extent120 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleSightfulnessen_US
dc.typeThesisen_US
dc.description.degreeS.M.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architectureen_US
dc.identifier.oclc1135802215en_US
dc.description.collectionS.M. Massachusetts Institute of Technology, Department of Architectureen_US
dspace.imported2020-03-09T19:58:23Zen_US


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