dc.contributor.advisor | Mark Jarzombek. | en_US |
dc.contributor.author | Weaver, Christopher Allen. | en_US |
dc.contributor.other | Massachusetts Institute of Technology. Department of Architecture. | en_US |
dc.date.accessioned | 2020-01-23T16:59:41Z | |
dc.date.available | 2020-01-23T16:59:41Z | |
dc.date.copyright | 2019 | en_US |
dc.date.issued | 2019 | en_US |
dc.identifier.uri | https://hdl.handle.net/1721.1/123606 | en_US |
dc.description | This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections. | en_US |
dc.description | Thesis: S.M., Massachusetts Institute of Technology, Department of Architecture, 2019 | en_US |
dc.description | Cataloged from PDF version of thesis. | en_US |
dc.description | Includes bibliographical references (pages 127-129). | en_US |
dc.description.abstract | Attending to nonhumans--the innumerable trees, rats, cows, copper, smog, clouds, bricks, oil, shade, doors, speed bumps, and others who must be omitted for the requisite brevity of an 'abstract'--orients the ecological problem per our everyday epistemology: how we relate with the world. In this domain, architecture, fundamentally an environmental medium, may operate as a fulcrum, shifting how we situate ourselves within the world.Yet, before we can design in such a way, we must first learn to witness the agency of nonhumans, a shift which demands expanded practices of attention and representation. This thesis focuses on a technique of mediated observation-simultaneously filmic, sonic, and textual-promoting an awareness of the multiple dimensions through which nonhumans constitute collectives. Playing upon the ubiquity of mobile devices, these techniques are brought together in the form of a smart phone application that prompts users to redirect their attention to the multitude of entities active around them. Participants' responses aggregate as a database of relational anecdotes, which is then choreographed into a series of episodic representations. Forgoing the human monopoly over the fabrication of worlds, these seek to foster an aesthetic "contact zone" whereby the agency of nonhumans is foregrounded. De-centering, yet not negating, the human. | en_US |
dc.description.statementofresponsibility | by Christopher Allen Weaver. | en_US |
dc.format.extent | 129 pages | en_US |
dc.language.iso | eng | en_US |
dc.publisher | Massachusetts Institute of Technology | en_US |
dc.rights | MIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission. | en_US |
dc.rights.uri | http://dspace.mit.edu/handle/1721.1/7582 | en_US |
dc.subject | Architecture. | en_US |
dc.title | Of pigeons, and mud, and streets, and clouds | en_US |
dc.type | Thesis | en_US |
dc.description.degree | S.M. | en_US |
dc.contributor.department | Massachusetts Institute of Technology. Department of Architecture | en_US |
dc.identifier.oclc | 1135867159 | en_US |
dc.description.collection | S.M. Massachusetts Institute of Technology, Department of Architecture | en_US |
dspace.imported | 2020-03-09T19:59:22Z | en_US |