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dc.contributor.advisorIyad Rahwan.en_US
dc.contributor.authorGroh, Matthew(Matthew Robert)en_US
dc.contributor.otherProgram in Media Arts and Sciences (Massachusetts Institute of Technology)en_US
dc.date.accessioned2020-02-10T21:42:24Z
dc.date.available2020-02-10T21:42:24Z
dc.date.copyright2019en_US
dc.date.issued2019en_US
dc.identifier.urihttps://hdl.handle.net/1721.1/123759
dc.descriptionThesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2019en_US
dc.descriptionCataloged from PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (pages 65-71).en_US
dc.description.abstractIn this hurtling technological age, the world seems more lost than ever before. When we optimize only for what can be observe, we can lose sight of the mysteries that help to define us. This thesis begins with the premise that not all aspects of humanity are amenable to empirical study. Inspired by a monoprint painted by Paul Klee and vividly described by Walter Benjamin, we design and deploy a four-part intervention at the intersection of artificial intelligence and media. First, we probe the tradition of via negativa. Second, we develop an artificial intelligence (AI) model that can disappear objects in photographs and deploy it online on a website called Deep Angel. Frorh August 2018 to April 2019, over 100,000 people visited Deep Angel. Third, we examine the precautionary principle for Al media manipulation with a randomized experiment. In this particular domain with this particular technology, we find that exposure to media manipulation improves individuals' ability to detect manipulations. Fourth, we create art. By infusing ancient wisdom traditions with modern technologies, this thesis points to a path out of digital and material clutter towards a rehabilitation and recovery of what has been lost in this Internet age: presence.en_US
dc.description.statementofresponsibilityby Matthew Groh.en_US
dc.format.extent71 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectProgram in Media Arts and Sciencesen_US
dc.titleThe aesthetics of absence : awareness in the age of neural networksen_US
dc.title.alternativeAwareness in the age of neural networksen_US
dc.typeThesisen_US
dc.description.degreeS.M.en_US
dc.contributor.departmentProgram in Media Arts and Sciences (Massachusetts Institute of Technology)en_US
dc.identifier.oclc1139320405en_US
dc.description.collectionS.M. Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciencesen_US
dspace.imported2020-02-10T21:42:24Zen_US
mit.thesis.degreeMasteren_US
mit.thesis.departmentMediaen_US


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