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dc.contributor.advisorNeri Oxman.en_US
dc.contributor.authorRen, RiPh. D.Zhong yang mei shu xue yuan (China)en_US
dc.contributor.otherProgram in Media Arts and Sciences (Massachusetts Institute of Technology)en_US
dc.date.accessioned2020-09-15T22:00:13Z
dc.date.available2020-09-15T22:00:13Z
dc.date.copyright2020en_US
dc.date.issued2020en_US
dc.identifier.urihttps://hdl.handle.net/1721.1/127487
dc.descriptionThesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, May, 2020en_US
dc.descriptionCataloged from the official PDF of thesis.en_US
dc.descriptionIncludes bibliographical references (pages 88-90).en_US
dc.description.abstractThe overarching goal of the thesis is to understand the mechanisms by which complex forms are created in biological systems and how the external environment and factors can influence generations over different scales of space, time, and materials. My research focuses on Nature's most celebrated architects -- bees -- and their architectural masterpiece -- the honeycomb. Bee honeycombs are wax-made cellular structures of hexagonal prismatic geometries. Within the comb, bees form their nests, grow their larvae, and store honey and pollen. They operate as a "social womb" informed, at once, by communal (genetic) makeup and environmental forces. Resource sharing, labor division, and unique communication methods all contribute to the magic that is the bee "Utopia." Given that the geometrical, structural, and material make up of honeycombs is informed by the environment, these structures act as environmental footprints, revealing, as a time capsule, the history of its external environment and factors. In this research, a new installation is designed, enabling the bees to achieve their full potentials as a whole; it enhances the abilities of bees for self-regulation and self-organization so as to promote the resilience of bees in the semi-nature at present. The novel bee incubator is a detachable installation that can be recycled to bees every Spring while serving as an observational compartment for researchers. It also presents as artwork for display in museums during Winter. This research thrives on a distinctive vision of diverse interactions of technology, design, science, and art, employing an intricate interface that allows us to heal, replenish, augment, and renew the relationship between humans, bees, and nature.en_US
dc.description.statementofresponsibilityby Ri Ren.en_US
dc.format.extent90 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses may be protected by copyright. Please reuse MIT thesis content according to the MIT Libraries Permissions Policy, which is available through the URL provided.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectProgram in Media Arts and Sciencesen_US
dc.titleComb the honey : bee interface designen_US
dc.typeThesisen_US
dc.description.degreeS.M.en_US
dc.contributor.departmentProgram in Media Arts and Sciences (Massachusetts Institute of Technology)en_US
dc.identifier.oclc1193022067en_US
dc.description.collectionS.M. Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciencesen_US
dspace.imported2020-09-15T22:00:11Zen_US
mit.thesis.degreeMasteren_US
mit.thesis.departmentMediaen_US


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