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dc.contributor.advisorNeri Oxman.en_US
dc.contributor.authorSharma, Sunanda,Ph. D.Massachusetts Institute of Technology.en_US
dc.contributor.otherProgram in Media Arts and Sciences (Massachusetts Institute of Technology)en_US
dc.date.accessioned2020-09-15T22:00:57Z
dc.date.available2020-09-15T22:00:57Z
dc.date.copyright2020en_US
dc.date.issued2020en_US
dc.identifier.urihttps://hdl.handle.net/1721.1/127499
dc.descriptionThesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, May, 2020en_US
dc.descriptionCataloged from the official PDF of thesis.en_US
dc.descriptionIncludes bibliographical references.en_US
dc.description.abstractHow does one reconcile the complex uncertainties of living systems with the control required for real-world design? This is the central question facing the field of biological design and the creative intersection it occupies, seeking to move beyond the mimicry of biological processes and structures into the physical fabrication of biohybrid materials and products. In experimental biology, the variability of life is often intentionally stifled through the use of highly controlled environments and well-characterized materials and organisms. However, the resulting findings cannot easily be translated out of the lab in a physical setting, severely limiting the potential impacts of this field. The stakes for impactful science and design are becoming increasingly high, given the stark deterioration of the natural environment and the imminent exploration of extreme reaches, such as deep space. At this point in the history of science and design, we are fortunate to experience two extremes -- tools that allow for finer control than ever before possible, be it additive manufacturing, microscopy, or computational design -- and a wave of systems-level thinking that grapples with the overwhelming complexity and variation of nature. Building upon ideas from nonlinear dynamics, systems biology, architecture, and design, I present an experimental approach to biological design, which seeks to provide guidelines and achieve influence at large spatiotemporal scales and in dynamic environments while considering inherent stochasticity in living systems as a feature. I present five project areas, spanning multiple phyla, scales, and public venues, through which I develop and demonstrate the practice of Organism-Environment Design.en_US
dc.description.statementofresponsibilityby Sunanda Sharma.en_US
dc.format.extent[xxvi], 422 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses may be protected by copyright. Please reuse MIT thesis content according to the MIT Libraries Permissions Policy, which is available through the URL provided.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectProgram in Media Arts and Sciencesen_US
dc.titleDesigning the organism-environment relationshipen_US
dc.typeThesisen_US
dc.description.degreePh. D.en_US
dc.contributor.departmentProgram in Media Arts and Sciences (Massachusetts Institute of Technology)en_US
dc.identifier.oclc1193026613en_US
dc.description.collectionPh.D. Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciencesen_US
dspace.imported2020-09-15T22:00:57Zen_US
mit.thesis.degreeDoctoralen_US
mit.thesis.departmentMediaen_US


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