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dc.contributor.authorTang, Casey.en_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Architecture.en_US
dc.date.accessioned2021-12-17T18:24:14Z
dc.date.available2021-12-17T18:24:14Z
dc.date.copyright2020en_US
dc.date.issued2020en_US
dc.identifier.urihttps://hdl.handle.net/1721.1/138585
dc.descriptionThesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, September, September, 2020en_US
dc.descriptionCataloged from the official PDF of thesis.en_US
dc.descriptionIncludes bibliographical references (pages 81-84).en_US
dc.description.abstractLife is an ongoing process of unfolding within a continuum of matter-cognition-semiotics. Evolutionary dynamics and biophysical forces exhibit end-directed (teleonomic) behavior. They increase interconnection over time, integrating antecedent foundational emergent layers into new aggregations, with their own forms, semiotics, and cognition capable of better navigating the environment from which it emerged. Our current technologies and systems, an outcome of these currents of aggregation and agency, are increasing capabilities to interconnect and integrate across abiotic, biotic, semiotic, and cognitive spheres, leading to strong emergence and enframing. Critical aesthetic practices enable us to become conscious of the dominant epistemic, technological, and semantic structures that have become enmeshed in our perception giving us more agency, increasing our evolutionary flexibility, and allowing us to influence our becoming. By understanding underlying biophysical forces, evolutionary dynamics, and the relation of entities as a space inseparable from "Being," artists and cultural producers engaged in critical aesthetic practice can more easily perceive, embody, and analyze deep interconnections and dynamics within a world of increasing integration and complexity.en_US
dc.description.statementofresponsibilityby Casey Tang.en_US
dc.format.extent84 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses may be protected by copyright. Please reuse MIT thesis content according to the MIT Libraries Permissions Policy, which is available through the URL provided.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleBeing in the world as if there's nothing from the first : a praxis-framework for emergenceen_US
dc.typeThesisen_US
dc.description.degreeS.M. in Art, Culture and Technologyen_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architectureen_US
dc.identifier.oclc1288601078en_US
dc.description.collectionS.M. in Art, Culture and Technology Massachusetts Institute of Technology, Department of Architectureen_US
dspace.imported2021-12-17T18:24:14Zen_US
mit.thesis.degreeMasteren_US
mit.thesis.departmentArchen_US


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