| dc.contributor.advisor | Green, Renée | |
| dc.contributor.author | Merzaban, Amanda Sayed | |
| dc.date.accessioned | 2022-01-14T15:22:23Z | |
| dc.date.available | 2022-01-14T15:22:23Z | |
| dc.date.issued | 2021-06 | |
| dc.date.submitted | 2021-07-27T20:22:09.484Z | |
| dc.identifier.uri | https://hdl.handle.net/1721.1/139598 | |
| dc.description.abstract | Efforts to bring underrepresented modernist women artists of Arabic speaking countries into the scope of Western art exhibitions has been on the rise, particularly since the early 2000s. Who decides what artists get shown and how their stories are told? What are the power structures guiding their inclusion? I inspect the consequences of the prevailing power dynamic through a feminist lens. This thesis is meant to offer a way of reviewing these systems of power so it can be more explicitly analyzed and discussed in tandem with how art is inscribed into Western discourse. | |
| dc.publisher | Massachusetts Institute of Technology | |
| dc.rights | In Copyright - Educational Use Permitted | |
| dc.rights | Copyright retained by author(s) | |
| dc.rights.uri | https://rightsstatements.org/page/InC-EDU/1.0/ | |
| dc.title | Scripting Inclusion | |
| dc.type | Thesis | |
| dc.description.degree | S.M. | |
| dc.contributor.department | Massachusetts Institute of Technology. Department of Architecture | |
| mit.thesis.degree | Master | |
| thesis.degree.name | Master of Science in Architecture Studies | |
