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dc.contributor.advisorAkšamija, Azra
dc.contributor.authorIshraki, Kazi
dc.date.accessioned2023-07-31T19:25:49Z
dc.date.available2023-07-31T19:25:49Z
dc.date.issued2023-06
dc.date.submitted2023-07-13T21:28:09.485Z
dc.identifier.urihttps://hdl.handle.net/1721.1/151247
dc.description.abstractIn this thesis, I make a case for challenging categorical thinking and draw upon non-human perspectives as a starting point to propose a pre-linguistic root to categorization by situating the concept of categorization into a sensory paradigm. Later I highlight a selection of 3 artistic projects that look at human-non-human relationships, sensory augmentation, and bacterial consent to question methodologies of inquiry in relating beyond the human category. In conclusion I present my thesis exhibition, Poetics of Inquiry, as a meditation on subjectivity to explore how artistic research can offer an entry point into thinking beyond categorization. This thesis also attempts to situate my practice within a limited base of references as a contribution towards the vast discourse by fellow knowledge producers within the field of Art, Culture, and Technology.
dc.publisherMassachusetts Institute of Technology
dc.rightsIn Copyright - Educational Use Permitted
dc.rightsCopyright retained by author(s)
dc.rights.urihttps://rightsstatements.org/page/InC-EDU/1.0/
dc.titlePerforming Trans-disciplinarity: Exploring Subjectivity and Objectivity in Knowledge Production
dc.typeThesis
dc.description.degreeS.M.
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
mit.thesis.degreeMaster
thesis.degree.nameMaster of Science in Art, Culture and Technology


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