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dc.contributor.advisorFernando Domeyko.en_US
dc.contributor.authorBarandon, Joshua Robert, 1979-en_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture.en_US
dc.date.accessioned2005-09-06T21:58:36Z
dc.date.available2005-09-06T21:58:36Z
dc.date.copyright2004en_US
dc.date.issued2004en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/27146
dc.descriptionThesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2004.en_US
dc.descriptionPage 72 blank.en_US
dc.descriptionIncludes bibliographical references (p. 65-69).en_US
dc.description.abstract(cont.) the greater system, communicate with one another. The result is a distributed mechanism: a machine for slowing down, a catalyst for remembrance. While the vision of the proposal seeks the insertion of a greater mnemonic landscape throughout the urban tissue, the focus for the project is a single fragment of this flexible framework, the development of a spatial device that addresses issues of time and collective remembrance.en_US
dc.description.abstractThe accelerating pace of modern society and the proliferation of memorials in recent years have drastically distorted general perceptions of time and memory. Moving at incessantly escalating rates of speed in maintaining pace with technological innovation, we rarely afford ourselves the opportunity to simply slow down and appropriately engage in the act of remembrance. Society finds itself in a state of affairs in which time is becoming too fast and remembrance is perilously losing its significance. In calling for slowness and challenging traditional notions of the memorial, a new means for the engagement of memory is imagined on the public front. It is a collective system that seeks to embody the "art of public memory", creating a dialogue that transcends the mere appearance of any memorial gesture. Times change, generations shift, and memories blur, calling for the creation of a place that is uniquely a tool for slowing and remembering. It is a landscape that is mutable, changeable, and flexible, situated in the life of the everyday, a site for transformnative practice? In essence, it calls for an in-between space for an in-between time, one based on positive emotion that engenders slowness, collectivity, and remembrance while encouraging a high level of intellectual and emotional engagement by way of user interactivity. Planned is a conceptual landscape, a network of interventions dispersed throughout the urban fabric, serving as spatial reference points that localized groups, as well as passers-by, employ for purposes of respite and remembrance. The notion of recording, having very strong implications for both time and memory, is the basis for a lmultifaceted system through which visitors, as well as distinct fragments ofen_US
dc.description.statementofresponsibilityJoshua R. Barandon.en_US
dc.format.extent72 p.en_US
dc.format.extent2148893 bytes
dc.format.extent2155107 bytes
dc.format.mimetypeapplication/pdf
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582
dc.subjectArchitecture.en_US
dc.titleMnemonic drift : a framework for collective remembranceen_US
dc.typeThesisen_US
dc.description.degreeM.Arch.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc56891433en_US


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