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dc.contributor.advisorJulian Beinart.en_US
dc.contributor.authorPatrose, Prataapen_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture.en_US
dc.date.accessioned2005-09-26T17:30:59Z
dc.date.available2005-09-26T17:30:59Z
dc.date.copyright1984en_US
dc.date.issued1984en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/27933
dc.descriptionThesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1984.en_US
dc.descriptionMICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCHen_US
dc.descriptionIncludes bibliographical references.en_US
dc.description.abstractIf the city is more than a mere physical form, it is also the medium and outcome of the social "habitus" that sustains the practice of a city. Groups of people who maintain certain common practices after awhile perceive them to be normal and "natural," even though the intentions sustaining some of these practices are limiting and inconsistent . As designers, our attempts at structuring formal and spatial order by classifications and by the interpretation of patterns, limits our other societal intention of influencing the future increasingly. The practice of classification and the recognition of patterns rests on the belief of the existence of an objective reality which structures our attempts at creating. What does it imply about t he influence we have on our future , if the environment we live in is a predetermined stasis? How objective is "what exists" ? Can form and spatial practices be self-justifying by their objective existence? If we are to approach these questions, we need to have measures of better and worse, a nd t he means for evaluating options in order to make consistent choices in the present. Underlying this proposition is the belief that all that we have as conscious human beings is the present. This paper explores three cultural assumptions that our existing mode of approaching the future is seen to rest on. These are: the belief in the existence of an objective future, the possibility of creating it in the present, and the position of individual subjectivity as being extraneous to the notion of an objective plan. The thoughts expressed here are intended to be more provocative than prescriptive, in the hope that we may design with a more conscious practice of intent.en_US
dc.description.statementofresponsibilityby Prataap Patrose.en_US
dc.format.extent109 leavesen_US
dc.format.extent3839610 bytes
dc.format.extent3852757 bytes
dc.format.mimetypeapplication/pdf
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582
dc.subjectArchitecture.en_US
dc.titleThe future does not have a definite formen_US
dc.typeThesisen_US
dc.description.degreeM.S.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc11722103en_US


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