dc.contributor.author | Ravel, Jeffrey S. | en_US |
dc.coverage.temporal | Fall 2002 | en_US |
dc.date.issued | 2002-12 | |
dc.identifier | 21H.418-Fall2002 | |
dc.identifier | local: 21H.418 | |
dc.identifier | local: CMS.880 | |
dc.identifier | local: IMSCP-MD5-9c54eb26ceaf9f497b913448065c68c3 | |
dc.identifier.uri | http://hdl.handle.net/1721.1/34937 | |
dc.description.abstract | Explores the impact of the printing press upon European politics and culture during the first several centuries after Gutenberg and compares these changes with the possibilities and problems inherent in contemporary electronic technologies of the word. Assignments include formal essays and online projects. From the Course Home Page: Course Description There has been much discussion in recent years, on this campus and elsewhere, about the death of the book. Digitization and various forms of electronic media, some critics say, are rendering the printed text as obsolete as the writing quill. In this subject we will examine the claims for and against the demise of the book, but we also supplement these arguments with an historical perspective they lack: we examine books and printing technology during the Early Modern period of European history, from roughly 1450 to 1800. We will begin with the theoretical and historical overviews of Walter Ong and Elizabeth Eisenstein, after which we will study specific cases such as the writings and readers of Erasmus and Jean-Jacques Rousseau, English chapbooks, and stage plays in print. Finally, we will reconsider the issues raised by digital technologies today in light of these historical perspectives. This subject is jointly listed as 21H.418 and CMS.880. It satisfies requirements towards the Major and the Minor in History and in Comparative Media Studies, and is also open to graduate students in the Comparative Media Studies Program and in other MIT and Harvard graduate programs. | en_US |
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dc.language | en-US | en_US |
dc.rights.uri | Usage Restrictions: This site (c) Massachusetts Institute of Technology 2003. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license"). The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions. | en_US |
dc.subject | publishing | en_US |
dc.subject | Gutenberg | en_US |
dc.subject | printing | en_US |
dc.subject | Walter Ong | en_US |
dc.subject | Elizabeth Eisenstein | en_US |
dc.subject | Erasmus | en_US |
dc.subject | Jean-Jacques Rousseau | en_US |
dc.subject | English chapbooks | en_US |
dc.subject | stage plays | en_US |
dc.subject | 21H.418 | en_US |
dc.subject | CMS.880 | en_US |
dc.subject | Printing -- History | en_US |
dc.title | 21H.418 / CMS.880 Technologies of Word 1450-2000, Fall 2002 | en_US |
dc.title.alternative | Technologies of Word 1450-2000 | en_US |
dc.type | Learning Object | |
dc.contributor.department | Massachusetts Institute of Technology. History Section | |
dc.contributor.department | Massachusetts Institute of Technology. Program in Comparative Media Studies/Writing | |