Show simple item record

dc.contributor.advisorJudith Donath.en_US
dc.contributor.authorOffenhuber, Dietmaren_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture. Program in Media Arts and Sciences.en_US
dc.date.accessioned2008-09-03T15:34:39Z
dc.date.available2008-09-03T15:34:39Z
dc.date.copyright2008en_US
dc.date.issued2008en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/42409
dc.descriptionThesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2008.en_US
dc.descriptionPage 76 blank.en_US
dc.descriptionIncludes bibliographical references (p. 72-75).en_US
dc.description.abstractThe ability to create an unlimited number of identical copies is a privilege of digital documents. What if that would not be the case, if each copy of a digital file would go along with some sort of transformation? This thesis examines the implications of such a scenario on information ecologies and map out the design space for a new type of decentralized authoring applications. The concept of the copy is inherently transformative, even if just as the transformation from "the One into the Many ". However, until the recent transition from analog to digital media, the perfectly identical copy was not possible, every reproduction resulted in transformation. While this transformation usually is associated with loss of information, it also creates new information, traces of an objects history. As a result of the ability to create of unlimited numbers of perfectly identical copies from digital files, this dimension of context information is lost - digital files do not have a history. In the course of this thesis, five examples were implemented that illustrate important properties of the concept of transformative copying, in order to propose a general framework for a sociable, transformative file format. They investigate two cases of transformation: First, transformation as a deliberate process by humans. A second dimension is transformation as an autonomous process, either in form of an imperfect copy or as a result of an objects age and usage, such as wear. Both points seem like independent cases, but in our scenario they are closely interconnected and inform each other.en_US
dc.description.statementofresponsibilityDietmar Offenhuber.en_US
dc.format.extent76 p.en_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture. Program in Media Arts and Sciences.en_US
dc.titleTransformative copyen_US
dc.typeThesisen_US
dc.description.degreeS.M.en_US
dc.contributor.departmentProgram in Media Arts and Sciences (Massachusetts Institute of Technology)
dc.identifier.oclc237202586en_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record