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dc.contributor.advisorMark Jarzombek.en_US
dc.contributor.authorRushfeldt, Laura Een_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture.en_US
dc.coverage.spatiale-kv---en_US
dc.date.accessioned2010-08-30T14:30:48Z
dc.date.available2010-08-30T14:30:48Z
dc.date.copyright2010en_US
dc.date.issued2010en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/57677
dc.descriptionThesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2010.en_US
dc.descriptionCataloged from PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (p. 165-[170]).en_US
dc.description.abstractThis Thesis proposes a 2015 World's Fair in Prishtina, Kosovo, to redefine the relationship between tourists and local places. Globalization has created an explosion of world tourism; however, it has homogenized the global landscape and therefore the tourist experience. To counteract this erosion of the identity and sense-of-place, leadership in new nation-states believe that they must consciously exert a new individual identity. This scenario is flawed as well; groups in power seek to instrumentalize a false uniform and idealist identity to serve their own interests. If the global condition is overrun by the tourist, and the local condition is hijacked by the idealist, where does this leave the global-local debate in the discourse of architecture? Creating an ambiguous, complex, cultural condition that confronts and reinvents the most polarizing tendencies of the tourist and the idealist will meet the needs of the largest number of parties that have a stake in the architecture. As the world's newest nation, Kosovo has declared Independence and is partially recognized by the global community. From a decade under international jurisdiction, Kosovo has a complex relationship to the global. In recognizing that this global connection is economically essential to Kosovo, the new country needs to use this international presence to satisfy its own pressing need to establish the legitimacy of its new government. In this proposal, the international presence currently operating in Kosovo provides a network of structures for an International Fair which introduces Kosovo to the world.en_US
dc.description.abstract(cont.) This global tourist program is inherently subverted; the investment in urban infrastructure ensures that the architecture is seamlessly repurposed into Kosovo's new National Capital complex. This coupling of unlikely programs not only provides both financial capital and impetus to create the architecture, thereby addressing critical needs of Kosovo, but meshes together the touristic and nationalistic forms of national identity. The uneasy alliance between the two programs necessitates a redefinition of both.en_US
dc.description.statementofresponsibilityby Laura E. Rushfeldt.en_US
dc.format.extent165, [4] p.en_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleArchitecture's grand tourism : the emergence of Prishtina within a global disciplineen_US
dc.title.alternativeEmergence of Prishtina within a global disciplineen_US
dc.typeThesisen_US
dc.description.degreeM.Arch.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc630650982en_US


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