| dc.contributor.advisor | Barry L. Vercoe. | en_US |
| dc.contributor.author | Bilmes, Jeffrey Adam | en_US |
| dc.date.accessioned | 2011-04-04T17:38:22Z | |
| dc.date.available | 2011-04-04T17:38:22Z | |
| dc.date.copyright | 1993 | en_US |
| dc.date.issued | 1993 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.1/62091 | |
| dc.description | Thesis (M.S.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 1993. | en_US |
| dc.description | Includes bibliographical references (leaves 130-136). | en_US |
| dc.description.statementofresponsibility | by Jeffrey Adam Bilmes. | en_US |
| dc.format.extent | 136 leaves | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | Massachusetts Institute of Technology | en_US |
| dc.rights | M.I.T. theses are protected by
copyright. They may be viewed from this source for any purpose, but
reproduction or distribution in any format is prohibited without written
permission. See provided URL for inquiries about permission. | en_US |
| dc.rights.uri | http://dspace.mit.edu/handle/1721.1/7582 | en_US |
| dc.subject | Architecture. Program in Media Arts and Sciences | en_US |
| dc.title | Timing is of the essence : perceptual and computational techniques for representing, learning, and reproducing expressive timing in percussive rhythm | en_US |
| dc.type | Thesis | en_US |
| dc.description.degree | M.S. | en_US |
| dc.contributor.department | Program in Media Arts and Sciences (Massachusetts Institute of Technology) | |
| dc.identifier.oclc | 29949507 | en_US |
