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dc.contributor.advisorPeter Testa.en_US
dc.contributor.authorRothenberg, John (John Hershel)en_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture.en_US
dc.date.accessioned2011-05-23T17:56:01Z
dc.date.available2011-05-23T17:56:01Z
dc.date.copyright2002en_US
dc.date.issued2002en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/62977
dc.descriptionThesis (S.B. in Architectural Design)--Massachusetts Institute of Technology, Dept. of Architecture, 2002.en_US
dc.descriptionPages 90 and 91 blank. Cataloged from PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (p. 69).en_US
dc.description.abstractChanges in the way we look at the relationship between artificial and natural in architecture lead to new design possibilities that incorporate the ideas of organic and evolutionary form. When these biological models are coupled with computational power, architectural design can begin to address the dimension of time. By dealing with the concept of duration, architecture reaches levels of complexity that match the world in which it exists. This thesis will explore the possibilities of organic and evolutionary surface in architecture and will attempt to provide a design that responds to a new understanding of duration in architecture. This thesis explores the relevance of a time-based model of architecture that draws on the concepts of organic and evolutionary form. It proposes a new understanding of architecture's relationship with time, and then uses this concept of duration as the foundation for experimental design. The goal of such an exploration is to gain a deeper understanding of the physical consequences of a new theoretical approach to architecture. A secondary goal is to demonstrate the power and necessity of computation in collaboration with biological models of architecture. The thesis includes research into nonlinearity as a challenge to the dominant understanding of the relationship between artificial and natural. From this research, the concept of duration is proposed as a new way of viewing the distinction between the natural and artificial. Duration then becomes a metaphor and guide in the design process of a studio assignment. In order to expand the possibilities of this concept, the thesis looks to ideas of adaptation and evolution as well as biological models of systems exhibiting these properties. Computation is used to model design sketches based on adaptive and genetic algorithms. Finally, a design experiment incorporates all of these ideas in an evolutionary architectural surface.en_US
dc.description.statementofresponsibilityby John Rothenberg.en_US
dc.format.extent91 p.en_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleDuration, density, and evolutionary form : application of biological principles to architectural surfaceen_US
dc.typeThesisen_US
dc.description.degreeS.B.in Architectural Designen_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc720321381en_US


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