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dc.contributor.advisorStanford Anderson.en_US
dc.contributor.authorDeBartolo, Jack, IIIen_US
dc.date.accessioned2011-09-13T17:38:33Z
dc.date.available2011-09-13T17:38:33Z
dc.date.copyright1994en_US
dc.date.issued1994en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/65693
dc.descriptionThesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1994.en_US
dc.descriptionIncludes bibliographical references (leaves 84-86).en_US
dc.description.abstractThis thesis addresses the experiential dimension of architecture as it relates to the dynamics of light and the universal presence of the phenomenal. The effort is to (re)imagine the environment: to behold the pageantry and reverence for the potent qualities of natural light and the orderly passage of time as dictated by the movement of the planets, stars, earth, sun and moon. The program for the design intervention addresses the fundamental need for enrichment, reflection and pause in the urban realm. To achieve this, the inhabitant must be shaken free from his comfortable and limiting perception of the world and be placed in an environment where he is free to sense the magic in a sky he normally takes for granted. This 'inhabitable light' becomes profound when it permits one to register his or her own position within the larger context of the moving universe. Architecture must be a lens for a greater perception of the environment without relying on artifice and imagery. The approach of this thesis is to sense the nature of natural light and search for new ways to impact the perception of the phenomenal through architecture, not to search for simple solutions. The humane use of natural light has a vigorous impact in the making of spaces which evoke the spirit. The associational basis for making decisions will be explored through discussion of perception, analysis of precedent and distilling of theory, within some rather distinct categories of light experience. The design application does not begin when the theory finishes, but rather works simultaneously with it, encouraging a dialogue between theory and form. The underlying motivation is to commence a (re)orientation and (re)birth of the natural environment as the critical component of the phenomenal experiential dimension of architecture. If we are to embody a sense of the eternal in our architecture, we must strive to understand the immeasurable.en_US
dc.description.statementofresponsibilityby Jack DeBartolo, III.en_US
dc.format.extent86 leavesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitectureen_US
dc.titleThe perception of illumination : the phenomenological dimensions of natural light in the making of an urban sanctuaryen_US
dc.title.alternativePhenomenological dimensions of natural light in the making of an urban sanctuaryen_US
dc.typeThesisen_US
dc.description.degreeM.S.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc31258664en_US


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