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dc.contributor.advisorGlorianna Davenport.en_US
dc.contributor.authorSchneider, Bernice K. (Bernice Karen)en_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture.en_US
dc.date.accessioned2012-04-26T18:15:20Z
dc.date.available2012-04-26T18:15:20Z
dc.date.copyright1989en_US
dc.date.issued1990en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/70174
dc.descriptionThesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1990.en_US
dc.descriptionTitle of videocartridge: Harlem. Videocartridge is U-matic format.en_US
dc.descriptionIncludes bibliographical references (leaves 28-31).en_US
dc.description.statementofresponsibilityby Bernice K. Schneider.en_US
dc.format.extent40 leavesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleDirect cinema : filmmaking style and its relationship to "truth"en_US
dc.typeThesisen_US
dc.description.degreeM.S.V.S.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc23166255en_US


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