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dc.contributor.advisorMark Jarzombek.en_US
dc.contributor.authorYusaf, Shundana, 1970-en_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture.en_US
dc.date.accessioned2012-05-15T21:07:50Z
dc.date.available2012-05-15T21:07:50Z
dc.date.copyright2001en_US
dc.date.issued2001en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/70737
dc.descriptionThesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2001.en_US
dc.descriptionIncludes bibliographical references.en_US
dc.description.abstractTraditional interpretations of monuments look either at the process of production or of the nature of reception. In this thesis, I take a slightly different approach and look at the monument that exists in peoples' imagination prior to what is actually constructed. The mausoleum of Quaid-e-Azam Mohammed Ali Jinnah, the founding leader of Pakistan, provides an appropriate subject for such an approach. Jinnah was a larger than life figure, who embodied for most of the citizens of the new nation the ideals on which the country was founded. The imagination of his mausoleum is therefore intertwined in very dense ways with the popular imagination of identity, nationhood, and national ideals. Another reason for favoring this approach is the availability of direct information on popular conceptions of the proposed monument. These conceptions were recorded in a series of letters written by ordinary people to Miss Fatima Jinnah, the sister of Mohammed Ali Jinnah, and by most accounts the protector of his idealistic legacy. This mode of inquiry raises a number of theoretical issues. One is the articulation in these correspondences, of the appropriation of the ideal of. the monument in a moment before it is built. It problemitizes the entanglement of the monument with what de Certeau calls 'strategies of power' and 'tactics of below' by illuminating facets of the nature of each. Behind this lies a fundamental question. How does one gain access to and think about a modern monument in order to be able to understand its nature and to narrate its story? I use content of these letters to approach this question.en_US
dc.description.statementofresponsibilityby Shundana Yusaf.en_US
dc.format.extent1 v. (various foliations)en_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleMonument without qualitiesen_US
dc.typeThesisen_US
dc.description.degreeS.M.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc49341938en_US


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