MIT Libraries logoDSpace@MIT

MIT
View Item 
  • DSpace@MIT Home
  • MIT Libraries
  • MIT Theses
  • Graduate Theses
  • View Item
  • DSpace@MIT Home
  • MIT Libraries
  • MIT Theses
  • Graduate Theses
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

Reclaiming the commons : art and activism in the neoliberal city

Author(s)
Berzofsky, Scott (Scott A.)
Thumbnail
DownloadFull printable version (43.76Mb)
Other Contributors
Massachusetts Institute of Technology. Dept. of Architecture.
Advisor
Ute Meta Bauer.
Terms of use
M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582
Metadata
Show full item record
Abstract
How can artistic/activist practices respond to urban conditions of exclusion and inequality? Since the 1970s, urban redevelopment in the United States has been dominated by a neoliberal ideology that promotes privatization, deregulation and the withdrawal of the state from the provision of social services. As a result, urban resources such as public space, affordable housing, health care, food and education are increasingly transformed into private property. Against the neoliberal privatization of resources in the city, my work is dedicated to reclaiming public spaces and building relationships based on cooperation, solidarity and sharing resources in common. This thesis attempts to situate my practice as an artist and activist within a broader historical and theoretical framework. Part 1 defines the seemingly archaic terms "enclosure" and "the commons." Parts 2 and 3 update these terms for the twenty-first century, addressing the "new enclosures" of neoliberalism and the emergence of the alterglobalization movement. In parts 4 and 5, I describe the conditions of the neoliberal city and examine a specific case study in East Baltimore. Part 6 introduces the concept of "the right to the city." Part 7 presents an overview of my own formation as an artist and activist committed to the project of reclaiming the commons. Finally, in part 8, I reflect on the first phase of the Occupy movement and consider its potential to reconfigure the boundaries between art, politics, urbanism and everyday life.
Description
Thesis (S.M. in Art, Culture and Technology)--Massachusetts Institute of Technology, Dept. of Architecture, 2012.
 
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
 
"June 2012." Cataloged from student-submitted PDF version of thesis.
 
Includes bibliographical references (p. 59-60).
 
Date issued
2012
URI
http://hdl.handle.net/1721.1/72624
Department
Massachusetts Institute of Technology. Department of Architecture
Publisher
Massachusetts Institute of Technology
Keywords
Architecture.

Collections
  • Graduate Theses

Browse

All of DSpaceCommunities & CollectionsBy Issue DateAuthorsTitlesSubjectsThis CollectionBy Issue DateAuthorsTitlesSubjects

My Account

Login

Statistics

OA StatisticsStatistics by CountryStatistics by Department
MIT Libraries
PrivacyPermissionsAccessibilityContact us
MIT
Content created by the MIT Libraries, CC BY-NC unless otherwise noted. Notify us about copyright concerns.