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dc.contributor.advisorTod Machover.en_US
dc.contributor.authorGargarian, Gregory Marken_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture.en_US
dc.date.accessioned2012-10-10T15:42:27Z
dc.date.available2012-10-10T15:42:27Z
dc.date.copyright1987en_US
dc.date.issued1987en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/73758
dc.descriptionThesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1987.en_US
dc.descriptionBibliography: leaves [121]-125. "Discography and scores": leaf 126.en_US
dc.description.statementofresponsibilityby Gregory Mark Gargarian.en_US
dc.format.extent[v], 126 [i.e. 181] leavesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleComposing after computers : the application of computational metaphors to musical thoughten_US
dc.typeThesisen_US
dc.description.degreeM.S.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc16972175en_US


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