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dc.contributor.advisorMark Jarzombek.en_US
dc.contributor.authorFurgiuele, Antonioen_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Architecture.en_US
dc.date.accessioned2013-10-24T18:12:18Z
dc.date.available2013-10-24T18:12:18Z
dc.date.copyright2013en_US
dc.date.issued2013en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/81746
dc.descriptionThesis (S.M. in History, Theory and Criticism of Art and Architecture)--Massachusetts Institute of Technology, Dept. of Architecture, 2013.en_US
dc.descriptionThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.en_US
dc.descriptionCataloged from student-submitted PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (p. 127-128).en_US
dc.description.abstractA single manageable architecture of the Cloud has been one of the most important social and technical changes of the 21st century. Cloud computing, our newest public utility is an attempt to confront and control cultural risk, it has rendered the environment of our exchanges calculable, manageable, seemingly predictable, and most importantly as a new form of capital. Cloud computing in its most basic terms is the system of virtualization of data storage and program access into an instantaneous service utility. The transformation of computing into a service industry is one of the key changes of the Information Age, and its logic is tied to the highly guarded mechanisms of a black box, an architecture machine, or more commonly known as the data center. In 2008, on a day with without the usual fanfare or barrage of academic manifestoes, grand claims of paradigm shifts, virtualization quietly took command. A seemingly simple moment where a cloud, the Cloud, emerged as a new form of managerial space that tied a large system of users to the hidden mechanisms of large scaled factories of information, a network of data centers. The project positions the Cloud and the data center into the architectural discourse, both historically and materially, through an analysis of its relationship to an emergent digital sublime and how it is managed, controlled and propelled through the obscure typologies of its architecture and images. The study of the Cloud and the data center through the notion of the sublime, and the organizational structures of typology we can more critically assess architecture's relationship to this new phase of the Information Age.en_US
dc.description.statementofresponsibilityby Antonio Furgiuele.en_US
dc.format.extent128 p.en_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleArchitecture of the cloud, virtualization takes command : learning from black boxes, data centers and an architecture of the conditioned environmenten_US
dc.typeThesisen_US
dc.description.degreeS.M.in History, Theory and Criticism of Art and Architectureen_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc859800286en_US


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