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dc.contributor.advisorAntón Garcia-Abril and Gediminas Urbonas.en_US
dc.contributor.authorRadoman, Slobodan, M. Arch. Massachusetts Institute of Technologyen_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Architecture.en_US
dc.date.accessioned2013-11-18T19:01:07Z
dc.date.available2013-11-18T19:01:07Z
dc.date.copyright2013en_US
dc.date.issued2013en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/82260
dc.descriptionThesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2013.en_US
dc.descriptionCataloged from PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (p. 134-137).en_US
dc.description.abstractThe largest lake in the Balkans, the largest bird "airport" in Europe, multinational, protected under the Ramsar Convention, a candidate for the UNESCO transboundary biosphere enlisting, the Skadar Lake is yet, economically speaking, an "in between" region of Montenegro. The Skadar Lake is the size of the Venice lagoon, with which it shares a parallel potential: while the renaissance Venice was geographically impossible to conquer by its enemies, making it a safe trading destination, Skadar Lake is the forgotten ecological oasis with the potential to flourish new ecological development strategies. This thesis argues that performance, payback and social motivations as design strategies prompt a new type of thinking that simultaneously critiques and challenges the ecological neutrality with which the current architectural and urban design discourse perceives the life in rural areas. It examines tourism as a vehicle to develop the region; it ignites design strategies to experiment with culture and ecological processes in order to excite relationships between the locals and the tourists, the people and the environment. Describing the heritage processes in the National Park through Felix Guattari's three levels of ecology (the human, the social, and the environmental), and establishing new consumer tastes (geared towards social and multispecies interaction, gastronomy and other aspects of local material culture), the thesis attempts to answer the following questions: Can future development of the Skadar Lake region stimulate a mode diverse economy? How can a more experiential tourism, driven by altered consumerism, stimulate the valorization of the region's landscapes and further expand them? Lastly, when almost everything has been done already, how to redefine Skadar Lake's identity in order to secure it a place on the competitive global tourism map? The thesis objective is thus to design a platform - a hybrid of the Skadar Lake's identity and the experience thereofen_US
dc.description.statementofresponsibilityby Slobodan Radoman.en_US
dc.format.extent137 p.en_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleDemocratizing global tourism or designing diversity to reach harmonyen_US
dc.title.alternativeDesigning diversity to reach harmonyen_US
dc.typeThesisen_US
dc.description.degreeM.Arch.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc861184624en_US


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