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dc.contributor.advisorAzra Aksamija.en_US
dc.contributor.authorNoel, Vernelle A. A. (Vernelle Aletia)en_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Architecture.en_US
dc.coverage.spatialnwtr---en_US
dc.date.accessioned2014-01-23T17:11:28Z
dc.date.available2014-01-23T17:11:28Z
dc.date.issued2013en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/84166
dc.descriptionThesis (S.M. in Architecture Studies)--Massachusetts Institute of Technology, Dept. of Architecture, 2013.en_US
dc.descriptionThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.en_US
dc.descriptionCataloged from student-submitted PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (pages 175-178).en_US
dc.description.abstractThis thesis explores the integration of computation and digital technology to support design in the Trinidad Carnival. I argue that computation can contribute to design in the Trinidad Carnival by (1) addressing the dying art of wire bending, (2) improving design, and (3) by fostering a more inclusive design process. My study is motivated by the current design problems in the Trinidad Carnival. They include the dying art form of wire bending, the lack of time and resources to generate design alternatives, the lack of an inclusive design process, and the lack of community involvement in "making" in Carnival. To address these problems, I develop support based on a comprehensive study of the existing situation, and explore the integration of computational tools and digital technology in the design process. To that end, I (1) develop the Bailey-Derek wire bending grammar to capture the unique, traditional art form of wire bending, (2) propose a new, more inclusive design process, (3) use computation and digital technology to enable the generation of design alternatives and create "objects to think with" in the design process, and (4) add to the understanding of a design process outside the domains of product, industrial, architecture, and engineering design. These explorations are significant because: 1. The wire bending shape grammar can be used as an educational tool to address the current absence of a system to pass on this dying art form; 2. A digital tool can be developed from the encoding of the visual design features in wire bending further supporting this art form; and 3. The integration of computation and digital technology in the design process can improve design by creating a more inclusive design process, allow the generation of design alternatives, and creating "objects to think with" in design. The Carnival of Trinidad has spawned more than 70 carnivals around the globe. It is the most copied, but yet most understudied carnival in the world. This thesis fills a gap in current literature by taking a computational and design perspective to this phenomenon.en_US
dc.description.statementofresponsibilityby Vernelle A. A. Noel.en_US
dc.format.extent180 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titleTrinidad Carnival : improving design through computation and digital technologyen_US
dc.title.alternativeImproving design through computation and digital technologyen_US
dc.typeThesisen_US
dc.description.degreeS.M.in Architecture Studiesen_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc867553530en_US


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