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dc.contributor.advisorTod Machover.en_US
dc.contributor.authorTorpey, Peter Alexanderen_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Architecture. Program in Media Arts and Sciences.en_US
dc.date.accessioned2014-11-24T18:42:44Z
dc.date.available2014-11-24T18:42:44Z
dc.date.copyright2013en_US
dc.date.issued2013en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/91887
dc.descriptionThesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2013.en_US
dc.description118en_US
dc.descriptionCataloged from PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (pages 185-193).en_US
dc.description.abstractMedia Scores provide a theoretical and technical means to orchestrate multiple modalities in the creation of expressive works of art and performance. New technologies afford numerous opportunities to tell stories and create expressive artworks through a variety of media. However, the tools of planning, composition, design, and creation of these works remain disjoint with respect to the artwork's constituent disciplines and from the final experience. Media Scores extend the metaphor of a musical score to other modalities in order to facilitate the process of authoring and performing multimedia compositions, providing a medium through which to realize a modern-day Gesamtkunstwerk. Research into the representation and encoding of expressive intent provides the conceptual underpinnings for the development of novel interfaces for composing and performing with Media Scores. Using such a tool, the composer is able to shape an artistic work that may be performed through human and technological means in a variety of media and utilizing various modalities of expression. Media Scores offer the possibility of authoring content that incorporates live performance data and the potential for audience participation and interaction. This paradigm bridges the extremes of the continuum from composition to performance, allowing for improvisatory compositional acts at performance-time. The Media Score also provides a common point of reference in collaborative productions, as well as the infrastructure for the real-time show control of any technologies used during a live performance.en_US
dc.description.statementofresponsibilityPeter Alexander Torpey.en_US
dc.format.extent193 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture. Program in Media Arts and Sciences.en_US
dc.titleMedia Scores : A framework for composing the modern-day Gesamtkunstwerken_US
dc.title.alternativeFramework for composing the modern-day Gesamtkunstwerken_US
dc.typeThesisen_US
dc.description.degreePh. D.en_US
dc.contributor.departmentProgram in Media Arts and Sciences (Massachusetts Institute of Technology)
dc.identifier.oclc894559509en_US


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