Show simple item record

dc.contributor.advisorHenry Jenkins Ill.en_US
dc.contributor.authorRockwood, Jason Willis Krideren_US
dc.contributor.otherMIT Comparative Media Studies/Writing.en_US
dc.date.accessioned2015-01-05T20:02:59Z
dc.date.available2015-01-05T20:02:59Z
dc.date.copyright2009en_US
dc.date.issued2009en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/92658
dc.descriptionThesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Humanities, Graduate Program in Science Writing, 2009.en_US
dc.descriptionCataloged from PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (pages 119-125).en_US
dc.description.abstractCultural theorists such as Henry Jenkins¹, Lawrence Lessig², Yochai Benkler³ , Robert Hassan⁴, and Manuel Castells⁵, have written extensively on the role of network communications technologies in reconfiguring contemporary culture. While the penetration of the "information society" is now widespread in U.S. culture⁶, not everyone is an equal participant⁷7. As an extreme case in point, the American prison population, currently at 2.3 million⁸, is institutionally excluded from equal participation in the information society and its network economies⁹ attributed by some scholars as due to the prison's historical logic of highly regulated communication flows¹⁰ Some theorists of network culture argue that one quality of network cultures is their tendency to be all-embracing: their connectivity has a compounding effect that encourages networks to become ever more dense¹¹ . Hassan calls this permeation of networks into culture the "network effect¹²," a compelling social pressure to participate more deeply in the information society. This network effect can be used as a theoretical lens for looking at prisons within society. An analysis of the debates surrounding correctional policy reveals the social forces both internal and external to the prison system pressuring prisons to adopt more liberal networked communication and attendant technologies. This juncture between isolation and networks is the central problematic nexus in contemporary debates about the role of prisons in society, their function and modes of operation. The prison has been historically defined in terms of communication-by the regulation and governance of it-and any attempt to understand or reform the prison must proceed from a communicative, as well as punitive, framework.en_US
dc.description.statementofresponsibilityby Jason Willis Krider Rockwood.en_US
dc.format.extent125 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectGraduate Program in Science Writing.en_US
dc.subjectMIT Comparative Media Studies/Writing.en_US
dc.titleFrom enclosure to embrace : punitive isolation and network cultureen_US
dc.typeThesisen_US
dc.description.degreeS.M. in Comparative Media Studiesen_US
dc.contributor.departmentMassachusetts Institute of Technology. Program in Comparative Media Studies/Writingen_US
dc.contributor.departmentMIT Program in Writing & Humanistic Studies
dc.identifier.oclc898182484en_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record