<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-20T14:14:31Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/101365" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/101365</identifier><datestamp>2022-08-09T20:17:54Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Marcia Bartusiak.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Sokol, Joshua (Joshua Daniel)</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Comparative Media Studies.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department" lang="en_US">Massachusetts Institute of Technology. Graduate Program in Science Writing</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2016-02-29T15:02:58Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2016-02-29T15:02:58Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2015</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2015</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/101365</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">939626682</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: S.M., Massachusetts Institute of Technology, Department of Comparative Media Studies, 2015.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">Flippers first, I splash into the year 2100. Graduate student Hannah Barkley and I are swimming in Nikko Bay, among the Rock Islands of Palau. Here the warm blue-green water resembles naturally what the tropical Pacific will be like by the end of the century, as carbon emissions take an ever-greater toll on the seas. It should be a window into a dire, climate-change future. But things here look fine. In Palau's Nikko Bay and a few other acidified Rock Island sites, life appears to be shrugging off a sneak preview of the coral-reef apocalypse. Now Barkley, her boss Cohen, and the rest of the team are trying to answer a few pressing questions. Are the corals really okay? And if so, how? Moreover, what does that mean?</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Joshua Sokol.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">26 pages</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Comparative Media Studies.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">The reef at the end of the world</dim:field>
   <dim:field mdschema="dc" element="type" lang="en_US">Thesis</dim:field>
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   	&lt;Title>The reef at the end of the world&lt;/Title>
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   	&lt;PublicationDate>2015&lt;/PublicationDate>
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        	&lt;DisplayName>Sokol, Joshua (Joshua Daniel)&lt;/DisplayName>
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            &lt;DisplayName>Massachusetts Institute of Technology&lt;/DisplayName>
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    &lt;License>http://dspace.mit.edu/handle/1721.1/7582&lt;/License>
    &lt;Keyword>Comparative Media Studies.&lt;/Keyword>
   	&lt;Abstract>Flippers first, I splash into the year 2100. Graduate student Hannah Barkley and I are swimming in Nikko Bay, among the Rock Islands of Palau. Here the warm blue-green water resembles naturally what the tropical Pacific will be like by the end of the century, as carbon emissions take an ever-greater toll on the seas. It should be a window into a dire, climate-change future. But things here look fine. In Palau&amp;apos;s Nikko Bay and a few other acidified Rock Island sites, life appears to be shrugging off a sneak preview of the coral-reef apocalypse. Now Barkley, her boss Cohen, and the rest of the team are trying to answer a few pressing questions. Are the corals really okay? And if so, how? Moreover, what does that mean?&lt;/Abstract>
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