<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-18T22:54:45Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/118513" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/118513</identifier><datestamp>2022-01-13T07:53:53Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Takehiko Nagakura.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Koh, Hunmin</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="accessioned">2018-10-15T20:23:15Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2018-10-15T20:23:15Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2018</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2018</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/118513</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">1054763548</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: S.M. in Architecture Studies, Massachusetts Institute of Technology, Department of Architecture, 2018.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (pages 58-61).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">This thesis examines the East Asian geometric silk pattern. Despite its long history of use in traditional architecture as an ornamental element in Korea and China, a little attempt was made to understand its geometric construction. Also, the connection between the silk patterns in two countries are often neglected because of the lack of systematic archiving. I first present the currently existing examples of silk patterns in Korea and China. Through a comparative analysis, I identify that the pattern is a shared heritage of the region and proses that more holistic approach is required to understand its relation with geometric patterns from other cultures. One of the approach is symmetry analysis, a method used in archeology to identify relevance in material culture between two adjacent cultural groups. Subsequently, I present shape analysis of existing sixfold symmetry silk patterns and argue that the stacking order of basic motifs plays an important role in design of the majority of silk patterns. I devised a symbolic notation system to identify different stacking order between different designs. Based on the analysis, I introduce an automated pattern generator which creates patterns with a specific symmetry in batches. The produced images can be used to train a symmetry classifier based on a machine learning model. I discuss possible implementations of the pattern generator and the symmetry classifier model and outline future development and challenges.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Hunmin Koh.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M. in Architecture Studies</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">66, 9 unnumbered pages</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">MIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Shape analysis for digital representation of East Asian silk patterns</dim:field>
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   	&lt;Title>Shape analysis for digital representation of East Asian silk patterns&lt;/Title>
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   	&lt;PublicationDate>2018&lt;/PublicationDate>
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    &lt;Keyword>Architecture.&lt;/Keyword>
   	&lt;Abstract>This thesis examines the East Asian geometric silk pattern. Despite its long history of use in traditional architecture as an ornamental element in Korea and China, a little attempt was made to understand its geometric construction. Also, the connection between the silk patterns in two countries are often neglected because of the lack of systematic archiving. I first present the currently existing examples of silk patterns in Korea and China. Through a comparative analysis, I identify that the pattern is a shared heritage of the region and proses that more holistic approach is required to understand its relation with geometric patterns from other cultures. One of the approach is symmetry analysis, a method used in archeology to identify relevance in material culture between two adjacent cultural groups. Subsequently, I present shape analysis of existing sixfold symmetry silk patterns and argue that the stacking order of basic motifs plays an important role in design of the majority of silk patterns. I devised a symbolic notation system to identify different stacking order between different designs. Based on the analysis, I introduce an automated pattern generator which creates patterns with a specific symmetry in batches. The produced images can be used to train a symmetry classifier based on a machine learning model. I discuss possible implementations of the pattern generator and the symmetry classifier model and outline future development and challenges.&lt;/Abstract>
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