<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-20T03:11:15Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/118658" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/118658</identifier><datestamp>2022-01-13T07:53:53Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Judith Barry and Roi Salgueiro Barrio.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Consuegra Cadavid, Nicolás</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="accessioned">2018-10-22T18:27:06Z</dim:field>
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   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2018.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">This electronic version was submitted by the student author.  The certified thesis is available in the Institute Archives and Special Collections.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged student-submitted from PDF version of thesis. "June 2018."</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (pages 63-66).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">This thesis analyzes a series of art works, institutions and art programs in Colombia that have shaped site-specific works since the 1980s. Due to the fact that site-specific projects in Colombia have not evolved at the same pace--or with similar theoretical, and/or critical support--as other contexts (e.g. North America or Europe,) this is an attempt to contextualize a series of predicaments in the production (and reproduction) of site-specific works in the country. This thesis also lays out the methodology I implemented in order to develop the project The Space of Place. The Place of Space: an installation I presented in mid 2017, which connects my research on site-specificity with my creative work as a visual artist.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Nicolás Consuegra Cadavid.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M. in Art, Culture and Technology</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">66 pages</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">MIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.</dim:field>
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   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
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   	&lt;Title>A site without a place is a space :&lt;/Title>
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   	&lt;Abstract>This thesis analyzes a series of art works, institutions and art programs in Colombia that have shaped site-specific works since the 1980s. Due to the fact that site-specific projects in Colombia have not evolved at the same pace--or with similar theoretical, and/or critical support--as other contexts (e.g. North America or Europe,) this is an attempt to contextualize a series of predicaments in the production (and reproduction) of site-specific works in the country. This thesis also lays out the methodology I implemented in order to develop the project The Space of Place. The Place of Space: an installation I presented in mid 2017, which connects my research on site-specificity with my creative work as a visual artist.&lt;/Abstract>
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