<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-19T18:17:20Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/124080" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/124080</identifier><datestamp>2021-07-05T14:03:20Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">V. Michael Bove Jr.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Rozendo Xavier dos Santos, Caroline.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Program in Media Arts and Sciences (Massachusetts Institute of Technology)</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department" lang="en_US">Program in Media Arts and Sciences (Massachusetts Institute of Technology)</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2020-03-09T18:52:38Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2020-03-09T18:52:38Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2019</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2019</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">https://hdl.handle.net/1721.1/124080</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">1142235419</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2019</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (pages 73-79).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">User Interfaces rely on the mediation between control and representation. The model of Tangible User Interfaces (TUI) proposes to blur the barrier between the two, but while in many cases the output can be literally materialized, direct representation is harder to achieve when information is immaterial or complex. Meaningful mental connections from perceptual qualities to high-level ideas make it possible to use visual representations for actions and immaterial concepts, which can provide mappings for dynamic input. Focusing on associations between shapes and sounds, this thesis investigates the potential for using non-iconic shape metaphors to enable interactions in which digital information is controlled by a perceptual language of form. The idea is demonstrated through a deformable device whose physical form can be redefined by hand manipulation. Each new form materializes ideas and sensations produced by sound, so the input device becomes, in itself, a physical representation of the output.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Caroline Rozendo Xavier dos Santos.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="collection" lang="en_US">S.M. Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">83 pages</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">MIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Program in Media Arts and Sciences</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">PerForm : deformable interface for dynamic representation of sound through meaningful shapes</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Per Form : deformable interface for dynamic representation of sound through meaningful shapes</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Deformable interface for dynamic representation of sound through meaningful shapes</dim:field>
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   <dim:field mdschema="mit" element="thesis" qualifier="degree" lang="en_US">Master</dim:field>
   <dim:field mdschema="mit" element="thesis" qualifier="department" lang="en_US">Media</dim:field>
   <dim:field mdschema="others" element="access-status">unknown</dim:field>
   <dim:field mdschema="others" element="access-status">unknown</dim:field>
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   	&lt;Title>PerForm : deformable interface for dynamic representation of sound through meaningful shapes&lt;/Title>
   	&lt;Subtitle>Per Form : deformable interface for dynamic representation of sound through meaningful shapes&lt;/Subtitle>
   	&lt;Subtitle>Deformable interface for dynamic representation of sound through meaningful shapes&lt;/Subtitle>
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   	&lt;PublicationDate>2019&lt;/PublicationDate>
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        	&lt;DisplayName>Rozendo Xavier dos Santos, Caroline.&lt;/DisplayName>
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    &lt;Keyword>Program in Media Arts and Sciences&lt;/Keyword>
   	&lt;Abstract>User Interfaces rely on the mediation between control and representation. The model of Tangible User Interfaces (TUI) proposes to blur the barrier between the two, but while in many cases the output can be literally materialized, direct representation is harder to achieve when information is immaterial or complex. Meaningful mental connections from perceptual qualities to high-level ideas make it possible to use visual representations for actions and immaterial concepts, which can provide mappings for dynamic input. Focusing on associations between shapes and sounds, this thesis investigates the potential for using non-iconic shape metaphors to enable interactions in which digital information is controlled by a perceptual language of form. The idea is demonstrated through a deformable device whose physical form can be redefined by hand manipulation. Each new form materializes ideas and sensations produced by sound, so the input device becomes, in itself, a physical representation of the output.&lt;/Abstract>
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