<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-23T02:39:09Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/128977" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/128977</identifier><datestamp>2025-10-27T18:00:45Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Alan Lightman.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">De Araújo Ferreira, Fernanda.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Comparative Media Studies.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Graduate Program in Science Writing.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Program in Comparative Media Studies/Writing</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2020</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2020</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">https://hdl.handle.net/1721.1/128977</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">1227040917</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: S.M. in Science Writing, Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing, 2020</dim:field>
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   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (pages 13-15).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">Health foe. Confidence booster. Female oppressor. No other shoe style has taken on as many roles as the high heel or had those roles as passionately debated. Throughout their long history in Western fashion, high heels have changed shape and had new ideas about femininity, performance and compliance heaped on them Warnings about the health dangers of chronic high heel use also have a long history, with medical professionals counselling against them for almost 300 years. Still high heels have remained a staple of womenswear, always returning after brief sojourns out of style. This thesis unpack s the high heel, first looking at the effects of high heel use on the body before turning to the history of the high heel and discussing the reasons why countless w omen have endured a shoe that is by design uncomfortable. Then we look at attempts to reengineer high heels so that they are more comfortable for wearers and discuss the future of high heels in the footwear landscape. The thesis concludes with a discussion of how attempting to fathom the long narrative of high heels can change your relationship with the object.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Fernanda de Araújo Ferreira.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M. in Science Writing</dim:field>
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   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">15 pages ;</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">MIT theses may be protected by copyright. Please reuse MIT thesis content according to the MIT Libraries Permissions Policy, which is available through the URL provided.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Comparative Media Studies.</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Graduate Program in Science Writing.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Unraveling the high heel</dim:field>
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   	&lt;Title>Unraveling the high heel&lt;/Title>
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   	&lt;PublicationDate>2020&lt;/PublicationDate>
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    &lt;Keyword>Comparative Media Studies.&lt;/Keyword>
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   	&lt;Abstract>Health foe. Confidence booster. Female oppressor. No other shoe style has taken on as many roles as the high heel or had those roles as passionately debated. Throughout their long history in Western fashion, high heels have changed shape and had new ideas about femininity, performance and compliance heaped on them Warnings about the health dangers of chronic high heel use also have a long history, with medical professionals counselling against them for almost 300 years. Still high heels have remained a staple of womenswear, always returning after brief sojourns out of style. This thesis unpack s the high heel, first looking at the effects of high heel use on the body before turning to the history of the high heel and discussing the reasons why countless w omen have endured a shoe that is by design uncomfortable. Then we look at attempts to reengineer high heels so that they are more comfortable for wearers and discuss the future of high heels in the footwear landscape. The thesis concludes with a discussion of how attempting to fathom the long narrative of high heels can change your relationship with the object.&lt;/Abstract>
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