<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-21T10:20:23Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/138583" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/138583</identifier><datestamp>2025-10-30T17:51:26Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor">Rene╠üe Green.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Bastos Lages, Luíza.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department" lang="en_US">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2021-12-17T18:24:11Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2020</dim:field>
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   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, September, September, 2020</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from the official PDF of thesis. "September 2020."</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (pages 144-154).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">The present thesis addresses the compound of aesthetics and politics, motivated by the philosophical inquiry on the political potency of art. By doing so, this thesis also offers an investigation on the enrooted practice of authoritarianism in Brasil, by focusing on the recent institutionalized political events that contributed to the rise of an extreme right-wing government in the country in 2018. The philosophical inquiry on the articulation of aesthetics and politics, I pursued, mainly, through a close reading of the work of Jacques Rancière. By studying his thinking on the autonomous sensible experience of every and all subjects, as one possible lever, through the experience of the sensorium, for the possibility of autonomy, I will argue that the forms of visibility and discourses that define art, especially as an institution, from the perspective of art's political operativity, get blurred. Concomitantly, I examine recent institutionalized political events in Brasil that contributed towards the conditions to the rise of an authoritarian government in the country, as a means, as I will argue, for the reaffirmation and intensification of politics of extraction and neoliberalism, grounded on renewed imperialist relations. Imperialism that, in the 21st century, expresses a new ambition: beyond constituting a political form for the renewal and intensification of capitalism, as it has been since the beginning of the 20th century, in the present, in the face of growing planetary climate catastrophes, it also becomes an instrument to safeguard forms of life - merely framed as natural resources - for the central countries in the capitalist system.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Luíza Bastos Lages.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M. in Art, Culture and Technology</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="collection" lang="en_US">S.M. in Art, Culture and Technology Massachusetts Institute of Technology, Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">154 pages</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">MIT theses may be protected by copyright. Please reuse MIT thesis content according to the MIT Libraries Permissions Policy, which is available through the URL provided.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Tessituras Abertas : pessimistic, yet persistent in other possible imaginaries</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Pessimistic, yet persistent in other possible imaginaries</dim:field>
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   	&lt;Title>Tessituras Abertas : pessimistic, yet persistent in other possible imaginaries&lt;/Title>
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   	&lt;Abstract>The present thesis addresses the compound of aesthetics and politics, motivated by the philosophical inquiry on the political potency of art. By doing so, this thesis also offers an investigation on the enrooted practice of authoritarianism in Brasil, by focusing on the recent institutionalized political events that contributed to the rise of an extreme right-wing government in the country in 2018. The philosophical inquiry on the articulation of aesthetics and politics, I pursued, mainly, through a close reading of the work of Jacques Rancière. By studying his thinking on the autonomous sensible experience of every and all subjects, as one possible lever, through the experience of the sensorium, for the possibility of autonomy, I will argue that the forms of visibility and discourses that define art, especially as an institution, from the perspective of art&amp;apos;s political operativity, get blurred. Concomitantly, I examine recent institutionalized political events in Brasil that contributed towards the conditions to the rise of an authoritarian government in the country, as a means, as I will argue, for the reaffirmation and intensification of politics of extraction and neoliberalism, grounded on renewed imperialist relations. Imperialism that, in the 21st century, expresses a new ambition: beyond constituting a political form for the renewal and intensification of capitalism, as it has been since the beginning of the 20th century, in the present, in the face of growing planetary climate catastrophes, it also becomes an instrument to safeguard forms of life - merely framed as natural resources - for the central countries in the capitalist system.&lt;/Abstract>
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