<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-18T23:42:11Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/145234" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/145234</identifier><datestamp>2025-10-30T17:03:45Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor">Matthew S. Kressy and Steven Faerm.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Mui, Melody Lok Yee.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Engineering Systems Division.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">System Design and Management Program.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department" lang="en_US">Massachusetts Institute of Technology. Engineering Systems Division</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department" lang="en_US">System Design and Management Program.</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2022-08-31T16:29:30Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2022-08-31T16:29:30Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2020</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">https://hdl.handle.net/1721.1/145234</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">1341998596</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: S.M. in Engineering and Management, Massachusetts Institute of Technology, Engineering Systems Division, System Design and Management Program, 2020</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">"February 2020." Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">Nowadays, large fashion corporations slowly adopt human centered design (HCD) process to connect with end users. For example, Levi used this design process to find out what kind of feelings that a new line of jacket should elicit in humans. And at retail sales point, the handbag iconic brand Kate Spade ideated dozens of concepts to enhance the in-store experience of guests. However, the precise process of how to integrate human-centered design process with fashion design is ambiguous. This creates challenges for fashion designers to use this process in creating new fashion items to fill in the emotional need of the millennial. In this research, I shall document in how to use the human-centered design process to hone a fashion product through a rigorous iteration process. From "need" to "wear", three products were created to solve a pain point of women, the need of carrying their heels seamlessly while communing. Five major iterations were conducted to give birth to a line of innovative products that are wearable.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">Through using the HCD process, it was discovered that women had an unconscious habit of having their shoes hidden, which hindered me from further developing an accessible and convenient mean of carrying the heels. The important pivoting point of this research came after integrating the "avant garde" approach of fashion design into the product. This step brought in a new aesthetic element to tackle an initial unacceptability of emotion-based need. Mission statement and values of the product also emerge through the process. The outcome is an enhanced framework that shall come handy for designers in the fashion industry to practice social science in their inventions.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Melody Lok Yee Mui.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M. in Engineering and Management</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="collection" lang="en_US">S.M. in Engineering and Management Massachusetts Institute of Technology, Engineering Systems Division, System Design and Management Program</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">63 pages</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">MIT theses may be protected by copyright. Please reuse MIT thesis content according to the MIT Libraries Permissions Policy, which is available through the URL provided.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Engineering Systems Division.</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">System Design and Management Program.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Human-centered fashion</dim:field>
   <dim:field mdschema="dc" element="type" lang="en_US">Thesis</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="mimetype">application/pdf</dim:field>
   <dim:field mdschema="dspace" element="imported" lang="en_US">2022-08-31T16:29:30Z</dim:field>
   <dim:field mdschema="dspace" element="entity" qualifier="type">Publication</dim:field>
   <dim:field mdschema="mit" element="thesis" qualifier="degree" lang="en_US">Master</dim:field>
   <dim:field mdschema="mit" element="thesis" qualifier="department" lang="en_US">Sloan</dim:field>
   <dim:field mdschema="others" element="access-status">unknown</dim:field>
   <dim:field mdschema="others" element="access-status">unknown</dim:field>
   <dim:field mdschema="cerif" element="openaire" authority="" confidence="-1">&lt;Publication xmlns="https://www.openaire.eu/cerif-profile/1.1/" id="f8e2b430-b342-4f15-a6e4-b4fdb80b1320">
	&lt;Type xmlns="https://www.openaire.eu/cerif-profile/vocab/COAR_Publication_Types">http://purl.org/coar/resource_type/c_1843&lt;/Type>
	&lt;Language>eng&lt;/Language>
   	&lt;Title>Human-centered fashion&lt;/Title>
   	&lt;PublishedIn>
    	&lt;Publication>
      	&lt;/Publication>
   	&lt;/PublishedIn>
   	&lt;PublicationDate>2020&lt;/PublicationDate>
   	&lt;Authors>
      	&lt;Author>
        	&lt;DisplayName>Mui, Melody Lok Yee.&lt;/DisplayName>
         	&lt;Affiliation>
         		&lt;OrgUnit>
         		&lt;/OrgUnit>
         	&lt;/Affiliation>
      	&lt;/Author>
	&lt;/Authors>
   	&lt;Editors>
	&lt;/Editors>
    &lt;Publishers>
        &lt;Publisher>
            &lt;DisplayName>Massachusetts Institute of Technology&lt;/DisplayName>
            &lt;OrgUnit />
        &lt;/Publisher>
    &lt;/Publishers>
    &lt;License>http://dspace.mit.edu/handle/1721.1/7582&lt;/License>
    &lt;Keyword>Engineering Systems Division.&lt;/Keyword>
    &lt;Keyword>System Design and Management Program.&lt;/Keyword>
   	&lt;Abstract>Nowadays, large fashion corporations slowly adopt human centered design (HCD) process to connect with end users. For example, Levi used this design process to find out what kind of feelings that a new line of jacket should elicit in humans. And at retail sales point, the handbag iconic brand Kate Spade ideated dozens of concepts to enhance the in-store experience of guests. However, the precise process of how to integrate human-centered design process with fashion design is ambiguous. This creates challenges for fashion designers to use this process in creating new fashion items to fill in the emotional need of the millennial. In this research, I shall document in how to use the human-centered design process to hone a fashion product through a rigorous iteration process. From &amp;quot;need&amp;quot; to &amp;quot;wear&amp;quot;, three products were created to solve a pain point of women, the need of carrying their heels seamlessly while communing. Five major iterations were conducted to give birth to a line of innovative products that are wearable.&lt;/Abstract>
   	&lt;Abstract>Through using the HCD process, it was discovered that women had an unconscious habit of having their shoes hidden, which hindered me from further developing an accessible and convenient mean of carrying the heels. The important pivoting point of this research came after integrating the &amp;quot;avant garde&amp;quot; approach of fashion design into the product. This step brought in a new aesthetic element to tackle an initial unacceptability of emotion-based need. Mission statement and values of the product also emerge through the process. The outcome is an enhanced framework that shall come handy for designers in the fashion industry to practice social science in their inventions.&lt;/Abstract>
	&lt;Access xmlns="http://purl.org/coar/access_right" 
    >
    &lt;/Access>
&lt;/Publication>
</dim:field>
</dim:dim>
</metadata></record></GetRecord></OAI-PMH>