<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-24T18:52:09Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/145742" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/145742</identifier><datestamp>2025-10-31T20:12:37Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor">Rabbat, Nasser O.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Shaikh, Ayesha Usman.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Architecture.</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="accessioned">2022-10-07T15:46:15Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2020</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="uri">https://hdl.handle.net/1721.1/145742</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">1345674311</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: S.M., Massachusetts Institute of Technology, Department of Architecture, September, 2020</dim:field>
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   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (149 pages). Includes bibliographical references (pages 142-149).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">Stylistic elements of "Oriental" architecture became a popularized design feature for industrial buildings in Europe during the 19th century--especially within the context of Germany. As an Islamic ornamentation program unfolds, the production and dissemination of pattern books and building manuals brought forth by French and British amateur architects and designers become important factors in establishing and inventing this stylistic trend. This thesis investigates Islamic ornamentation and its occurrence and utilization on Prussian, Bavarian, and Saxonian industrial architectural examples. The Yenidze Oriental Tobacco and Cigarette Factory (1909) serves as a model in emphasizing the implementation and extrapolation of these 19th century pattern books and building manuals. In shedding light on the ways in which the tobacco factory serves as a continuer of a self-referential legacy, this architectural example will ultimately illuminate the stylistic trend's own discursivity. Interpreting the continuation of this design trajectory, the tobacco factory's architecture will further be contextualized within its own geo-agricultural and geo-political associations as regards to broader historical, mercantile, and imperial precedents.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Ayesha Usman Shaikh.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="collection" lang="en_US">S.M. Massachusetts Institute of Technology, Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">149 pages</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">MIT theses may be protected by copyright. Please reuse MIT thesis content according to the MIT Libraries Permissions Policy, which is available through the URL provided.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">The Yenidze Oriental Tobacco and Cigarette Factory : an example of Islamic Ornamental architecture in Germany</dim:field>
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   	&lt;Title>The Yenidze Oriental Tobacco and Cigarette Factory : an example of Islamic Ornamental architecture in Germany&lt;/Title>
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   	&lt;Abstract>Stylistic elements of &amp;quot;Oriental&amp;quot; architecture became a popularized design feature for industrial buildings in Europe during the 19th century--especially within the context of Germany. As an Islamic ornamentation program unfolds, the production and dissemination of pattern books and building manuals brought forth by French and British amateur architects and designers become important factors in establishing and inventing this stylistic trend. This thesis investigates Islamic ornamentation and its occurrence and utilization on Prussian, Bavarian, and Saxonian industrial architectural examples. The Yenidze Oriental Tobacco and Cigarette Factory (1909) serves as a model in emphasizing the implementation and extrapolation of these 19th century pattern books and building manuals. In shedding light on the ways in which the tobacco factory serves as a continuer of a self-referential legacy, this architectural example will ultimately illuminate the stylistic trend&amp;apos;s own discursivity. Interpreting the continuation of this design trajectory, the tobacco factory&amp;apos;s architecture will further be contextualized within its own geo-agricultural and geo-political associations as regards to broader historical, mercantile, and imperial precedents.&lt;/Abstract>
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