2026-09-20T16:02:28Zhttps://dspace.mit.edu/server/oai/requestoai:dspace.mit.edu:1721.1/1512302023-08-01T04:05:02Zcom_1721.1_7582com_1721.1_7581col_1721.1_131023
Sinnokrot, Nida
Neptune, Christie
Massachusetts Institute of Technology. Department of Architecture
2023-07-31T19:24:29Z
2023-07-31T19:24:29Z
2023-06
2023-07-13T21:28:11.879Z
https://hdl.handle.net/1721.1/151230
0009-0002-7210-8996
Can the axiologies and stories oscillating the margins mark the discourse of Western logic positioned at the center, and how might this marking register in visual representations of the urban? Focusing on the West Indian community of East Flatbush, this thesis argues for the turn from the universal (uni-versus) towards the multiversal (multus-versus) within discursive urban space. First, this thesis demonstrates the potential of black popular culture within representational practices that shift the axes of power from the center to the margins. Secondly, It examines how frameworks of African temporality and the marked conventions of modern cinema and visual culture bring attention to a plurality of black subjectivity(s) across both dominant and marginal spatialities. Finally, this thesis considers the agency of marked axiological shifts within artistic interventions that foster the persistence of new knowledge formations "in relation to" a diversity of global perspectives.
Keywords:MarkedAxiologicalShifts,Africantemporality,concentricstorytelling,subjectivity,place,interactivity, FilmicEncounter
S.M.
Massachusetts Institute of Technology
In Copyright - Educational Use Permitted
Copyright retained by author(s)
https://rightsstatements.org/page/InC-EDU/1.0/
Ah New Riddim: A Marked (Black) Axiological Shift Across Space and Time
Thesis
application/pdf
Master
Master of Science in Art, Culture and Technology
Publication
unknown
unknown
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<Abstract>Can the axiologies and stories oscillating the margins mark the discourse of Western logic positioned at the center, and how might this marking register in visual representations of the urban? Focusing on the West Indian community of East Flatbush, this thesis argues for the turn from the universal (uni-versus) towards the multiversal (multus-versus) within discursive urban space. First, this thesis demonstrates the potential of black popular culture within representational practices that shift the axes of power from the center to the margins. Secondly, It examines how frameworks of African temporality and the marked conventions of modern cinema and visual culture bring attention to a plurality of black subjectivity(s) across both dominant and marginal spatialities. Finally, this thesis considers the agency of marked axiological shifts within artistic interventions that foster the persistence of new knowledge formations "in relation to" a diversity of global perspectives.
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