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   <dim:field mdschema="dc" element="contributor" qualifier="advisor">Akšamija, Azra</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author">Ishraki, Kazi</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2023-07-31T19:25:49Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="issued">2023-06</dim:field>
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   <dim:field mdschema="dc" element="description" qualifier="abstract">In this thesis, I make a case for challenging categorical thinking and draw upon non-human perspectives as a starting point to propose a pre-linguistic root to categorization by situating the concept of categorization into a sensory paradigm. Later I highlight a selection of 3 artistic projects that look at human-non-human relationships, sensory augmentation, and bacterial consent to question methodologies of inquiry in relating beyond the human category. In conclusion I present my thesis exhibition, Poetics of Inquiry, as a meditation on subjectivity to explore how artistic research can offer an entry point into thinking beyond categorization. This thesis also attempts to situate my practice within a limited base of references as a contribution towards the vast discourse by fellow knowledge producers within the field of Art, Culture, and Technology.</dim:field>
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   <dim:field mdschema="dc" element="title">Performing Trans-disciplinarity: Exploring Subjectivity and Objectivity in Knowledge Production</dim:field>
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   	&lt;Title>Performing Trans-disciplinarity: Exploring Subjectivity and Objectivity in Knowledge Production&lt;/Title>
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   	&lt;Abstract>In this thesis, I make a case for challenging categorical thinking and draw upon non-human perspectives as a starting point to propose a pre-linguistic root to categorization by situating the concept of categorization into a sensory paradigm. Later I highlight a selection of 3 artistic projects that look at human-non-human relationships, sensory augmentation, and bacterial consent to question methodologies of inquiry in relating beyond the human category. In conclusion I present my thesis exhibition, Poetics of Inquiry, as a meditation on subjectivity to explore how artistic research can offer an entry point into thinking beyond categorization. This thesis also attempts to situate my practice within a limited base of references as a contribution towards the vast discourse by fellow knowledge producers within the field of Art, Culture, and Technology.&lt;/Abstract>
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