2026-09-21T01:42:08Zhttps://dspace.mit.edu/server/oai/requestoai:dspace.mit.edu:1721.1/154302022-01-13T07:54:12Zcom_1721.1_7582com_1721.1_7581col_1721.1_131023
Otto Piene.
Begleiter, Eric
Massachusetts Institute of Technology. Dept. of Architecture.
Massachusetts Institute of Technology. Department of Architecture
2005-08-05T20:10:44Z
2005-08-05T20:10:44Z
1984
1984
http://hdl.handle.net/1721.1/15430
12775506
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1984.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Bibliography: leaves 89-98.
A selection of ancient concepts of ratio, form, proportion and harmony is used as the basis for the motivation and design of geometric art forms. Through a comparison of both contemporary concepts of dimensional space and ancient structural forms, new relationships are inferred. These relationships are then applied in the creation of original sculpture by the artist.
by Eric Begleiter.
M.S.V.S.
98 [i.e. 106] leaves
10142049 bytes
10141808 bytes
application/pdf
application/pdf
eng
Massachusetts Institute of Technology
M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.
http://dspace.mit.edu/handle/1721.1/7582
Architecture.
The effect of the principles of dynamic symmetry on modern art and science
Thesis
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