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   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Bill Hubbard, Jr.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Fricke, Gretchen M., 1974-</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2005-09-26T19:27:28Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2003</dim:field>
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   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2003.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (leaves 62-67).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">Beyond shelter, communication is the essential act of architecture. The construction of a building is the result of a dialogue between people and the natural environment where a building rises because it is the physical fulfillment of people's needs and desires that are not naturally met. Because buildings are designed for people, it is reasonable to define a building'S success by the degree to which it is relevant to and usable by people. A building'S relevance, whether it be physical, historical, or spiritual, occurs through communication. This thesis proposes that architects should make communication a design priority. We have the ability to and should take upon ourselves responsibility for creating, maintaining, and heightening people's physical and emotional relationships to their world. The design subject for this thesis is a retreat center for artists, writers, and musicians. Because visitors come to a retreat center for short periods of time (usually 2-4 weeks), the necessity for understanding and relating to one's environment is concentrated and immediate. A retreat center must communicate quickly and meaningfully to its creative inhabitants in order for them to feel at ease, connected, and able to progress in their work.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Gretchen M. Fricke.</dim:field>
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   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.</dim:field>
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   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Designing for communication : from orientation to empathy</dim:field>
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   	&lt;Title>Designing for communication : from orientation to empathy&lt;/Title>
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   	&lt;PublicationDate>2003&lt;/PublicationDate>
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   	&lt;Abstract>Beyond shelter, communication is the essential act of architecture. The construction of a building is the result of a dialogue between people and the natural environment where a building rises because it is the physical fulfillment of people&amp;apos;s needs and desires that are not naturally met. Because buildings are designed for people, it is reasonable to define a building&amp;apos;S success by the degree to which it is relevant to and usable by people. A building&amp;apos;S relevance, whether it be physical, historical, or spiritual, occurs through communication. This thesis proposes that architects should make communication a design priority. We have the ability to and should take upon ourselves responsibility for creating, maintaining, and heightening people&amp;apos;s physical and emotional relationships to their world. The design subject for this thesis is a retreat center for artists, writers, and musicians. Because visitors come to a retreat center for short periods of time (usually 2-4 weeks), the necessity for understanding and relating to one&amp;apos;s environment is concentrated and immediate. A retreat center must communicate quickly and meaningfully to its creative inhabitants in order for them to feel at ease, connected, and able to progress in their work.&lt;/Abstract>
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