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   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Joan Jonas.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Goldfarb, Maximilian M</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="accessioned">2007-01-10T16:25:56Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2006</dim:field>
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   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2006.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (leaves 68-71).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">The focus of the M49: Machine For The Living project is a performance work that considers the omnipresence of layered communications, which extend, yet supersede corporeal space of the individual. M49 creates a framework to reveal the convergence of immaterial communication with the built environment through an interfering radio transmission. The performance elucidates conceptual boundaries revealed in the breakdown of a system. The project investigates effects of the sub-visible ambiance that overlaps and engulfs structures of urban inhabitation. "What appears in the cathedral of radio noise is an image of the individual as a machine making meaning in a feedback loop between human and alien forces. Without any point of reference or authority, the individual must decode the ether daily, or at least what is transmitted through the so-called ether for human ends. Daily, we work at separating meaning out from the multi-dimensional ether-sphere with its uncanny plenitude of signals that surround us, while the actual electromagnetic lattices beyond our inelegant organic makeup spin a deeper mystery." Joe Milutis, Ether.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Maximilian M. Goldfarb.</dim:field>
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   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.</dim:field>
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   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">M49-- Machine for the Living : a performance broadcast through an interfering FM radio transmission</dim:field>
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   	&lt;Title>M49-- Machine for the Living : a performance broadcast through an interfering FM radio transmission&lt;/Title>
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   	&lt;Abstract>The focus of the M49: Machine For The Living project is a performance work that considers the omnipresence of layered communications, which extend, yet supersede corporeal space of the individual. M49 creates a framework to reveal the convergence of immaterial communication with the built environment through an interfering radio transmission. The performance elucidates conceptual boundaries revealed in the breakdown of a system. The project investigates effects of the sub-visible ambiance that overlaps and engulfs structures of urban inhabitation. &amp;quot;What appears in the cathedral of radio noise is an image of the individual as a machine making meaning in a feedback loop between human and alien forces. Without any point of reference or authority, the individual must decode the ether daily, or at least what is transmitted through the so-called ether for human ends. Daily, we work at separating meaning out from the multi-dimensional ether-sphere with its uncanny plenitude of signals that surround us, while the actual electromagnetic lattices beyond our inelegant organic makeup spin a deeper mystery.&amp;quot; Joe Milutis, Ether.&lt;/Abstract>
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