2026-09-19T05:46:20Zhttps://dspace.mit.edu/server/oai/requestoai:dspace.mit.edu:1721.1/424092022-01-13T07:55:03Zcom_1721.1_7582com_1721.1_7581col_1721.1_131023
Judith Donath.
Offenhuber, Dietmar
Massachusetts Institute of Technology. Dept. of Architecture. Program in Media Arts and Sciences.
Program in Media Arts and Sciences (Massachusetts Institute of Technology)
2008-09-03T15:34:39Z
2008-09-03T15:34:39Z
2008
2008
http://hdl.handle.net/1721.1/42409
237202586
Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2008.
Page 76 blank.
Includes bibliographical references (p. 72-75).
The ability to create an unlimited number of identical copies is a privilege of digital documents. What if that would not be the case, if each copy of a digital file would go along with some sort of transformation? This thesis examines the implications of such a scenario on information ecologies and map out the design space for a new type of decentralized authoring applications. The concept of the copy is inherently transformative, even if just as the transformation from "the One into the Many ". However, until the recent transition from analog to digital media, the perfectly identical copy was not possible, every reproduction resulted in transformation. While this transformation usually is associated with loss of information, it also creates new information, traces of an objects history. As a result of the ability to create of unlimited numbers of perfectly identical copies from digital files, this dimension of context information is lost - digital files do not have a history. In the course of this thesis, five examples were implemented that illustrate important properties of the concept of transformative copying, in order to propose a general framework for a sociable, transformative file format. They investigate two cases of transformation: First, transformation as a deliberate process by humans. A second dimension is transformation as an autonomous process, either in form of an imperfect copy or as a result of an objects age and usage, such as wear. Both points seem like independent cases, but in our scenario they are closely interconnected and inform each other.
Dietmar Offenhuber.
S.M.
76 p.
eng
Massachusetts Institute of Technology
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http://dspace.mit.edu/handle/1721.1/7582
Architecture. Program in Media Arts and Sciences.
Transformative copy
Thesis
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