2026-09-20T18:43:13Zhttps://dspace.mit.edu/server/oai/requestoai:dspace.mit.edu:1721.1/438412022-01-13T07:54:12Zcom_1721.1_7582com_1721.1_7581col_1721.1_131023
Shun Kanda and J. Meejin Yoon.
Hsu, Stephanie (Stephine I.)
Massachusetts Institute of Technology. Dept. of Architecture.
Massachusetts Institute of Technology. Department of Architecture
n-us-hi
2008-12-11T18:36:55Z
2008-12-11T18:36:55Z
2008
2008
http://hdl.handle.net/1721.1/43841
262986755
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2008.
Includes bibliographical references (p. 91).
Harbors throughout the Hawaiian Islands serve as the dating a growing commercial cruise ship industry, foreign activity. They are also increasingly sites of controversy structures restrict local access and use of harbor areas man scale. This thesis proposes a platform for performance that ... floating and traveling between the four major Hawaiian Islands within multiple sites, accommodating public frames industrial harbor activity rather than staging no Hawaii's (neo)-colonial grand narrative as a sexualized as an instrument to reflect the relationship between pr den mechanics of calculated and market-oriented production and the outward appearance of contrived reality. Relationships between audience, stage, and performer shift to reveal the production of the performance, and reinsert the audience as a part of the theatrical experience. The architecture is a stage set for the performance that is not limited to a fixed stage but happens throughout the venue as localized spectacle.
by Stephanie Hsu.
M.Arch.
94 p.
eng
Massachusetts Institute of Technology
M.I.T. theses are protected by
copyright. They may be viewed from this source for any purpose, but
reproduction or distribution in any format is prohibited without written
permission. See provided URL for inquiries about permission.
http://dspace.mit.edu/handle/1721.1/7582
Architecture.
Pulling back the curtain : revealing the production of performance in the Hawaiian Islands
Revealing the production of performance in the Hawaiian Islands
Thesis
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<Abstract>Harbors throughout the Hawaiian Islands serve as the dating a growing commercial cruise ship industry, foreign activity. They are also increasingly sites of controversy structures restrict local access and use of harbor areas man scale. This thesis proposes a platform for performance that ... floating and traveling between the four major Hawaiian Islands within multiple sites, accommodating public frames industrial harbor activity rather than staging no Hawaii's (neo)-colonial grand narrative as a sexualized as an instrument to reflect the relationship between pr den mechanics of calculated and market-oriented production and the outward appearance of contrived reality. Relationships between audience, stage, and performer shift to reveal the production of the performance, and reinsert the audience as a part of the theatrical experience. The architecture is a stage set for the performance that is not limited to a fixed stage but happens throughout the venue as localized spectacle.</Abstract>
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