<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-21T11:24:39Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/46590" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/46590</identifier><datestamp>2022-01-13T07:55:03Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Mitchel Resnick.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Silver, Jay (Jay Saul)</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture. Program in Media Arts and Sciences.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Program in Media Arts and Sciences (Massachusetts Institute of Technology)</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2009-08-26T16:58:56Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2009-08-26T16:58:56Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2008</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2008</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/46590</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">422749909</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2008.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 103).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">We are disconnected from our environment. We can't reconnect because we can't even see the Nature within our urban surroundings. Inspired by urban explorers and Nature Awareness traditions, I will develop methodologies and design principles for coming into contact with the environment through direct observation of the previously unseen urban jungle. Building on the idea of revealing the imperceptible with a time-lapse camera, I will design both a new metaphor for sensors and a physical object: a synesthetic time-lapse "Camera for the Invisible" with implications for urban Nature Awareness, first person discovery/inquiry, environmental journalism, and "modernized poverty." Out of the struggle toward a toolkit for urban exploration, I will create a new categorization schema for perceptual scientific instruments, which will lead to a proposed new genre of tangible design called "skin2nature interfaces." I will write about the design process in a way that invokes intuition by engaging the reader in a semi-experiential process within the limits of this constrained medium. From my initial explorations, to the design and evaluation, I hope to engage myself, the users/explorers, and my readers in a process of reconnection with our respective local landscapes.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Jay Silver.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">103 p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
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   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture. Program in Media Arts and Sciences.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Camera for the invisible : toward a toolkit for urban exploration</dim:field>
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   	&lt;Title>Camera for the invisible : toward a toolkit for urban exploration&lt;/Title>
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   	&lt;PublicationDate>2008&lt;/PublicationDate>
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        	&lt;DisplayName>Silver, Jay (Jay Saul)&lt;/DisplayName>
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    &lt;Keyword>Architecture. Program in Media Arts and Sciences.&lt;/Keyword>
   	&lt;Abstract>We are disconnected from our environment. We can&amp;apos;t reconnect because we can&amp;apos;t even see the Nature within our urban surroundings. Inspired by urban explorers and Nature Awareness traditions, I will develop methodologies and design principles for coming into contact with the environment through direct observation of the previously unseen urban jungle. Building on the idea of revealing the imperceptible with a time-lapse camera, I will design both a new metaphor for sensors and a physical object: a synesthetic time-lapse &amp;quot;Camera for the Invisible&amp;quot; with implications for urban Nature Awareness, first person discovery/inquiry, environmental journalism, and &amp;quot;modernized poverty.&amp;quot; Out of the struggle toward a toolkit for urban exploration, I will create a new categorization schema for perceptual scientific instruments, which will lead to a proposed new genre of tangible design called &amp;quot;skin2nature interfaces.&amp;quot; I will write about the design process in a way that invokes intuition by engaging the reader in a semi-experiential process within the limits of this constrained medium. From my initial explorations, to the design and evaluation, I hope to engage myself, the users/explorers, and my readers in a process of reconnection with our respective local landscapes.&lt;/Abstract>
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